If you’re a grad student facing the ugly reality of finding a tenure-track job, you could easily be forgiven for thinking about a career change...

We’ve all heard that a picture is worth a thousand words, but what if we don’t understand what we’re looking at?

What do university presses do, and how do they do it?

The things that make people academics do not necessarily make them good teachers...

Lena charts the history of American arts and cultural policy, interrogating the institutions, practices, and technologies underpinning the development of American Art...

Schwartz covers four decades of drag dances, exploring the politics of gender in motion...

This book features an investigation of men donning a women’s guises to impersonate female characters...

What is “Chinese dance,” how did it take shape in during China’s socialist period, and how has this socialist form continued to influence Post-Mao expressive cultures in the People’s Republic of China?

To what extent may we say that religion is a theatrical phenomenon, and that theatre is a religious experience?

Evans sets out to discover how people find ecstasy in a post-religious culture, how it can be good for us, and also harmful...

In the information age, knowledge is power. Hence, facilitating the access to knowledge to wider publics empowers citizens and makes societies more democratic...

Women get into stripping for money, writes Dr. Bernadete Barton, and the experience the girls have throughout their career in exotic dancing varies...

Victoria Fortuna's new book Moving Otherwise: Dance, Violence and Memory in Buenos Aires (Oxford University Press, 2018) examines the different ways in which contemporary dance practices have engaged in resistance...

McKenzie Wark’s new book offers 21 focused studies of thinkers working in a wide range of fields who are worth your attention...

Combining memoir with auto-ethnography, historical study and sociocultural analysis, Halifu Osumare draws on her decades of experience to explore the complexities of black dance in the United States. Starting in San Francisco during the rise of the Bla...

In Making Samba: A New History of Race and Music in Brazil (Duke University Press, 2013), Marc Hertzman revisits the history of Brazil’s quintessential music and dance genre to explore the links between popular music, intellectual property, law,

The Syrian Revolution, which began in March 2011, has since resulted in what can be described as a civil war, the deaths of hundreds of thousands of people, and the forced migrations of millions of Syrians.

In his new book, Dancing in the Blood: Modern Dance and European Culture on the Eve of the First World War (Cambridge University Press, 2017), Edward Ross Dickinson charts the development of modern dance in the turbulent decades of the early twentieth ...

Studio 54 opened its doors 40 years ago and since that time it has held a place in American popular culture. Studio 54 was the place to go dancing to great music, mingle with celebrities and beautiful people, and do drugs night after night.

“How can the modern individual maintain control over his or her self-representation when the whole world seems to be watching?” This is the question that prompts Julia Fawcett‘s new book, Spectacular Disappearances: Celebrity and Privacy,

By drawing on a vast, never-utilized trove of archival materials along with oral histories, choreographic analysis, and embodied research, Katherine Dunham: Dance and the African Diaspora (Oxford University Press,

Dance & Politics: Moving Beyond Boundaries (Manchester University Press, 2017) by Dana Mills, considers dance as a political expression from a number of perspectives, situating the analysis within a framework of contemporary political theory.

Carrie J. Preston‘s new book tells the story of the global circulation of noh-inspired performances, paying careful attention to the ways these performances inspired twentieth-century drama, poetry, modern dance, film, and popular entertainment.

Is it possible to lay claim to ownership of a dance? Is choreography intellectual property? How have shifting conceptions of race and gender shaped the way we think of dance, property and ownership? In Choreographing Copyright: Race,

In his new book Going to the Palais: A Social and Cultural History of Dancing and Dance Halls in Britain, 1918-1960 (Oxford University Press, 2016), cultural historian James Nott charts the untold history of dancing and dance halls in Britain in the fi...