Kimberly A. Francis, “Teaching Stravinsky: Nadi...
Pedagogue, composer, and conductor Nadia Boulanger was a central figure in Igor Stravinsky’s life during the middle part of his career, providing him with support, advice, and a discerning analytical and editorial voice when he was writing some of his ...
68 min
677
Marian Wilson Kimber, “The Elocutionists: Women...
Although largely forgotten today, elocution was a popular form of domestic and professional entertainment from the late nineteenth century until around World War II. Elocution is the dramatic reading of poetry, adapted plays,
51 min
678
Jean R. Freedman, “Peggy Seeger: A Life of Musi...
When folklorist Jean Freedman first met Peggy Seeger in 1979, Freedman was an undergraduate on her junior year abroad in London, while her American compatriot had been living in the UK for two decades. Their encounter took place in the Singers’ Club,
64 min
679
Sterling Murray, “The Career of an Eighteenth-C...
Though he never enjoyed the fame of his contemporaries Mozart and Haydn, Antonio Rosetti was a successful composer whose works received a wide audience. In his book, The Career of an Eighteenth-Century Kapellmeister: The Life and Music of Antonio Roset...
52 min
680
C. Grant and H. Schippers, “Sustainable Futures...
Sustainable Futures for Music Cultures: An Ecological Perspective (Oxford University Press, 2016), a multi-authored volume co-edited by Catherine Grant and Huib Schippers, examines a range of musical traditions from cultures around the world.
50 min
681
Larry Wolff, “The Singing Turk” (Stanford UP, 2...
In The Singing Turk: Ottoman Power and Operatic Emotions on the European Stage from the Siege of Vienna to the Age of Napoleon (Stanford University Press, 2016), Larry Wolff takes us into that distinctly European art form, the opera,
41 min
682
Douglas W. Shadle, “Orchestrating the Nation: T...
One of the most neglected areas of musicological research is art music written by nineteenth-century American composers, thus Douglas Shadle‘s book Orchestrating the Nation: The Nineteenth-Century American Symphonic Enterprise (Oxford University Press,...
60 min
683
Kevin Bartig, “Sergei Prokofiev’s Alexander Nev...
Kevin Bartig’s new book Sergei Prokofiev’s Alexander Nevsky (Oxford University Press, 2017) explores multiple facets of one of the most famous film scores of the twentieth century, as well as the cantata Prokofiev adapted from the original music.
53 min
684
Benjamin Teitelbaum, “Lions of the North: Sound...
Music is frequently connected to leftist politics and seen as the soundtrack to social protest movements, most notably the civil rights movement. But the far right groups use music too. Benjamin Teitelbaum‘s Lions of the North: Sounds of the New Nordic...
46 min
685
Franz Rickaby, et al., “Pinery Boys: Songs and ...
Gretchen Dykstra‘s career to date has been both impressive and wide-ranging. She was the founding President of the Times Square Alliance, the former Commissioner of the NYC Department of Consumer Affairs, and the founding President of the 9/11 Memorial...
62 min
686
Jonathan R. Wynn, “Music/City: American Festiva...
A city in its original state is arbitrary and has no meaning. The act of placemaking is a multifaceted process in the planning, designing, and management of public spaces. The social construction of meaning is a process that capitalizes on the assets,
Rebecca Tuhus-Dubrow‘s book, Personal Stereo (Bloomsbury Academic, 2017) , which is part of the Object Lessons series, offers a compelling and expertly researched study of the Sony Walkman, taking into account the device’s controversial origin story,
33 min
688
Mark Fleischman, “Inside Studio 54” (Rare Bird ...
Studio 54 opened its doors 40 years ago and since that time it has held a place in American popular culture. Studio 54 was the place to go dancing to great music, mingle with celebrities and beautiful people, and do drugs night after night.
51 min
689
Jenny Natasha and Tom Boniface-Webb, “I Was Bri...
I Was Britpopped: The A-Z of Britpop (Valley Press, 2017) is a comprehensive guide to the people, the bands, the places, and the events that shaped British music in the mid-to-late 1990s. Taking on the form of a A-Z guide,
60 min
690
Richard Power Sayeed, “1997: The Future that Ne...
Richard Power Sayeed’s book, 1997: The Future that Never Happened (Zed Books, 2017), is a brilliant and exhaustively researched account of the late 1990s. The subject matter covered is broad. From music to politics, from feminism to the media,
57 min
691
Daniel Kane, “Do You Have a Band?”: Poetry and ...
Often, poetry and punk rock are seen as distinct activities that occur in different locations with separate audiences. Many would also ascribe to them varying levels of cultural and political capital. Daniel Kane, the author of Do You Have a Band?
31 min
692
Joel Dinerstein, “The Origins of Cool in Postwa...
In his new book, The Origins of Cool in Postwar America (University of Chicago Press, 2017), Cultural Studies scholar Joel Dinerstein explores the cultural history of cool and the codes that defined the style and attitude of this relatively new concept...
At the close of the nineteenth century, Europe was teeming with apocalyptic dreams of destruction and renewal. In Nietzsche’s Orphans: Music, Metaphysics, and the Twilight of the Russian Empire (Yale University Press, 2015),
68 min
694
Rosemary Lucy Hill, “Gender, Metal and the Medi...
How do women experience and participate in Metal? This question forms the core of Gender, Metal and the Media: Women Fans and the Gendered Experience of Music (Palgrave Macmillan 2016), the new book from Rosemary Lucy Hill,
46 min
695
Johari Jabir, “Conjuring Freedom: Music and Mas...
What is the labor for Black soldiers of the regiment? That is the question Johari Jabir asks in his book Conjuring Freedom: Music and Masculinity in the Civil War’s “Gospel Army” (Ohio State University Press, 2017).
27 min
696
Karmen MacKendrick, “The Matter of Voice: Sensu...
Philosophers have long tried to silence the physical musicality of voice in favor of the purity of ideas without matter, souls without bodies. But voices resonate among bodies and texts; they are singular, as unique as fingerprints,
47 min
697
Jennifer Fleeger, “Mismatched Women: The Siren’...
Jennifer Fleeger‘s Mismatched Women: The Siren’s Song Through the Machine (Oxford University Press, 2014) tells the story of women in film and their representation as aberrations, but also as moments of emancipation and agency.
29 min
698
Adriana Helbig, “Hip Hop Ukraine: Music, Race, ...
In 2004, during the Orange Revolution in Ukraine, Adriana Helbig saw African musicians rapping in Ukrainian and wearing embroidered Ukrainian ethnic costumes. Her curiosity about how these musicians came to be performing during the protests led to her ...
46 min
699
Franz Nicolay, “The Humorless Ladies of Border ...
What is the punk music scene like in Croatia, Serbia, Hungary, Russia, Ukraine, or Mongolia? Who listens to punk in Eastern Europe and in the Balkans? What kind of venues host punk shows? Punk musician and writer Franz Nicolay explores these questions ...
42 min
700
Paul C. Jasen, “Low End Theory: Bass, Bodies an...
As audio technology has advanced, so has our love-affair with deep bass. Dr. Paul Jasen‘s book, Low End Theory: Bass, Bodies and the Materiality of Sonic Experience (Bloomsbury, 2016), probes the much-mythologized field of bass and low-frequency sound....