New Books in Music

Interviews with Scholars of Music about their New Books

Music
651
Lee Bidgood, “Czech Bluegrass: Notes from the H...
Although bluegrass music is typically associated with the bluegrass state of Kentucky and Appalachia, the genre is actually played in many pockets all around the world.  In Czech Bluegrass: Notes from the Heart of Europe (University of Illinois Press,
57 min
652
R. C. Romano and C. B. Potter, “Historians on H...
Historians on Hamilton: How a Blockbuster Musical is Restaging America’s Past (Rutgers University Press, 2018), edited by Renee C. Romano and Claire Bond Potter, is a collection of essays about Lin Manuel Miranda’s hit musical, Hamilton.
64 min
653
Zachary Lechner, “The South of the Mind: Americ...
When talking about the American South in the second half of the twentieth century, popular discourse tended to fall into one of three camps (on occasion, two might coexist simultaneously): the “Vicious South” which was violent and regressive,
75 min
654
Robert Fink, Melinda Latour, and Zachary Wallma...
In The Relentless Pursuit of Tone: Timbre in Popular Music (Oxford University Press, 2018), editors Robert Fink, Melinda Latour, and Zachary Wallmark curate a wide-ranging collection of essays about the function of tone and timbre in popular music.
74 min
655
Tala Jarjour, “Sense and Sadness: Syriac Chant ...
Religious music can be a source of comfort and release, but also a remembrance of sadness and loss. In Sense and Sadness: Syriac Chant in Aleppo (Oxford University Press, 2018), Tala Jarjour analyzes the Syriac chant sung in Aramaic used by the small C...
47 min
656
Stephen Lee Naish, “Riffs & Meaning: Manic Stre...
In Riffs & Meaning: Manic Street Preachers and Know Your Enemy (Headpress, 2018), Stephen Lee Naish tells the story of Welsh rock band Manic Street Preachers’ 2001 album Know Your Enemy. The record’s engagement with diverse and unexpected musical influ...
52 min
657
David García, “Listening for Africa: Freedom, M...
In Listening for Africa: Freedom, Modernity, and the Logic of Black Music’s African Origins (Duke University Press, 2017), David García reminds us that how culture is understood and interpreted not only reflects the political and social discourses of t...
46 min
658
James P. Leary, “Folksongs of Another America: ...
Folksongs of Another America: Field Recordings from the Upper Midwest, 1937–1946 (University of Wisconsin Press) first appeared in 2015 when it comprised of a hardback book, five CDs, and one DVD. It went on to win the “Best Historical Research in Folk...
52 min
659
Naomi André, “Black Opera: History, Power, Enga...
Naomi André’s innovative new book, Black Opera: History, Power, Engagement (University of Illinois Press, 2018) is an example of a concept she calls “engaged musicology.” Positioning herself within the book as a knowledgeable and ethical listener,
55 min
660
Ben Blackwell, “The Blue Series: The Story Behi...
In The Blue Series: The Story Behind the Color (Third Man Books, 2017), Ben Blackwell invites readers behind the scenes for the making of Third Man Records’ 7-inch single Blue Series. Founded in 2009 in Nashville by songwriter, musician,
61 min
661
Eli Maor, “Music by the Numbers: From Pythagora...
Most of us have heard of the math-music connection, but Eli Maor’s Music by the Numbers: From Pythagoras to Schoenberg (Princeton University Press, 2018) is THE book that explains what that connection is, and how both math and music connect to both phy...
54 min
662
David Novak and Matt Sakakeeny, “Keywords in So...
Featuring twenty entries on subjects such as music, voice, noise, shape and the body Keywords in Sound (Duke, 2015) pushes at the boundaries of ‘sound studies’ through its intellectual overviews and suggested openings on each of the key words.
37 min
663
Rebekah J. Buchanan, “Writing a Riot: Riot Grrr...
In 1989, Time magazine pronounced “Feminism is dead.” It seemed to mainstream culture that the conservative era, marked by Regan and Thatcher, had killed the lingering energy that began with the rise of second-wave feminism in the 1960s. And yet,
47 min
664
M. L. Liebler, “Heaven Was Detroit: From Jazz t...
In Heaven Was Detroit: From Jazz to Hip-Hop and Beyond (Wayne State University Press, 2016), M. L. Liebler curates an exhaustive collection of essays about Detroit music by a diverse group of music scholars, journalists, and musicians.
51 min
665
Denise Von Glahn, “Libby Larsen: Composing an A...
There are few living American classical composers for whom an academic biography has been published, but Libby Larsen deserves this type of study. At the opening of her book, Libby Larsen: Composing an American Life (University of Illinois Press,
62 min
666
Sandra Jean Graham, “Spirituals and the Birth o...
What happened in popular entertainment when African Americans could access the stage after the Civil War? In Spirituals and the Birth of a Black Entertainment Industry (University of Illinois Press, 2018), Sandra Graham tells the complex story of how f...
56 min
667
James Cook, “Memory Songs: A Personal Journey i...
Today on the New Books in Music podcast James Cook discuses his book, Memory Songs: A Personal Journey into the Music that Shaped the 90s (Unbound, 2018). The book details the author’s own adolescent musical obsessions from The Beatles to John Barry fr...
44 min
668
Charles Hughes, “Country Soul: Making Music and...
As America changed in the Civil Rights and Black Power eras, the Southern music industry was changing as well. The music studios of Nashville, Memphis, and Muscle Shoals–known as the “country-soul triangle”–began producing some of the most important mu...
47 min
669
Christina Scharff, “Gender, Subjectivity, and C...
What sort of inequalities characterize classical music today? In Gender, Subjectivity, and Cultural Work: The Classical Music Profession (Routledge, 2018), Christina Scharff, a senior lecturer in culture, media and creative industries in the department...
34 min
670
Michael Ramirez, “Destined for Greatness: Passi...
The pursuit of a musical career crosses the mind of most children. But, for most, a vocation is nothing more than a farfetched fantasy that will never come true. Music is often considered more appropriate as a leisure activity that need be abandoned wh...
47 min
671
Gillian M. Rodger, “Just One of the Boys: Femal...
In the 1870s, one of the most popular forms of entertainment attended by American working-class men was variety—a succession of unrelated bawdy acts that preceded its tamer later nineteenth-century cousin, vaudeville. Gillian M. Rodger,
65 min
672
John Gennari, “Flavor and Soul: Italian America...
In his book, Flavor and Soul: Italian America and Its African American Edge (University of Chicago Press, 2017), scholar John Gennari examines the intersectionalities between African American and Italian American cultures in the United States.
61 min
673
Imani Perry, “May We Forever Stand: A History o...
Colin Kaepernick’s refusal to stand for the national anthem in August 2016 prior to a preseason game reopened a national conversation about public performances of patriotism. What does a national anthem do to promote unity in a nation with a long runni...
60 min
674
Marc Hertzman, “Making Samba: A New History of ...
In Making Samba: A New History of Race and Music in Brazil (Duke University Press, 2013), Marc Hertzman revisits the history of Brazil’s quintessential music and dance genre to explore the links between popular music, intellectual property, law,
46 min
675
Emily Petermann, “The Musical Novel: Imitation ...
The Musical Novel: Imitation of Musical Structure, Performance, and Reception in Contemporary Fiction (Camden House, 2014; a new paperback edition has recently come out (Boydell and Brewer, 2018)) examines a variety of music and literature interconnect...
36 min