One hallmark of important art, in any medium, is a thoughtful relation with artistic precursors. Every artist reckons with heroes and rivals, influences and nemeses, and the old work becomes a part of the new.

When I arrived at college in the early 1980s, drugs were cool, music was cool, and drug-music was especially cool. The coolest of the cool drug-music bands was The Velvet Underground. They were from the mean streets of New York City (The Doors were fro...

“On July 5, 1954, Elvis Presley, Scotty Moore, and Bill Black forever changed musical history,” writes Sheree Homer in Catch that Rockabilly Fever: Personal Stories of Life on the Road and in the Studio (McFarland, 2010).

Speaking to long time theater critic Peter Filichia, one is reminded of listening to an old-time sportwriter talk about baseball. The Broadway he describes is full of colorful personalities, anecdotes, dates, numbers, and trivia.

SST Records was a seminal label in Los Angeles’s independent music scene of the 1980’s. Founded in 1978 by Greg Ginn, SST released records by a slew of influential bands such as Black Flag, Minutemen, Meat Puppets, Saint Vitus, Husker Du,

In the Soviet Union, artists lived lives that were at once charmed and cursed. Though relatively poor, the USSR poured resources into the arts. The Party created a large, well-funded cultural elite of which only two things were expected. First,