Disclosure: I am a Meathead, an avid fan of Meat Puppets. I have been since 1986 when I first heard their version of “Good Golly Miss Molly” from Out My Way. I’m even writing a book about the band. The problem, however,

Since the “taiko boom” of the closing decades of the 20thcentury, taiko drumming has arguably become Japan’s most globally successful performance medium. Shawn Bender‘s recent book takes us through the history and spaces of this art,

“A-wop-bop-a-loo-mop, a-lop-bam-boom!”And so rock and roll was born. And so American culture changed forever. So says David Kirby in Little Richard: The Birth of Rock ‘n’ Roll (Continuum, 2009). “Tutti Frutti,” Little Richard’s first hit,

You’ve probably heard of Telegraph Avenue (Berkeley), Harvard Square, The Village, and Haight-Ashbury. That’s where “the scene” was in the late 1960s, right? But have you heard of Yorkville? I hadn’t until I’d read Stuart Henderson‘s terrific social hi...

Ben Cawthra‘s Blue Notes in Black and White: Photography and Jazz (University of Chicago, 2011) discusses the way images of jazz and the musicians who played it both reflected and influenced our racial perceptions during the period between the 1930s an...

Cultural movements don’t exist in vacuums. Consciously or not, all movements borrow from, and sometimes reject, those that came before. In Hip Hop’s Inheritance: From the Harlem Renaissance to the Hip Hop Feminist Movement (Lexington Books, 2011),

American history is all about movement: geographical, cultural, ideological. Economic depression and war make the 1930s and ’40s a dramatic example of this movement. In Lonesome Roads and Streets of Dreams: Place, Mobility,

Texas poet/author/historian Dave Oliphant‘s KD: A Jazz Biography (Wings Press, 2012) is a poetic tribute to the life of Jazz trumpeter and one of the original Jazz Messengers, Kenny Dorham. Dorham, who played with some of the jazz greats like Dizzy Gil...

Harkening out of the United State’s Pacific Northwest in the early 1990s, Bikini Kill and Bratmobile made a big enough splash that their names and songs are still recognized by many rock fans. And those of us who do recognize these bands tend to link t...

Kathy Sloane‘s Keystone Korner: Portrait of a Jazz Club (Indiana UP, 2011) captures a time and place in San Francisco in the 70s and early 80s that we may never see again. Owner/impresario/musician Todd Barkan ran the club on a frayed financial shoestr...

Big Bill Broonzy was a master storyteller. From his name, he was born Lee Conly Bradley, to his age, he typically added a decade, to the facts of his growing up in the pre-civil rights segregated South (not that he didn’t,

Kevin Whitehead‘s highly readable, informative and entertaining Why Jazz? A Concise Guide (Oxford University Press, 2011) is bookshelf “must have” for anyone who loves jazz – and he does it in a question/answer call and response style that is the perfe...

Have you ever illegally downloaded a song from the internet? How about illicitly burned copies of a CD? Made a “party tape?” Bought a bootleg album? You may have done these things, but have you purchased a bootlegged song-sheet?

Matthew Delmont‘s The Nicest Kids in Town: American Bandstand, Rock ‘n’ Roll, and the Struggle for Civil Rights in 1950s Philadelphia (University of California Press, 2012) weaves a fascinating narrative in which the content of a popular television sho...

“New York City tends to erase its history, endlessly reinventing itself: that is its way, ” writes Will Hermes on the final page of his book Love Goes to Buildings on Fire: Five Years in New York that Changed Music Forever (Faber and Faber, 2011).

If, as John Lennon reportedly stated, “Before Elvis there was nothing,” then after Elvis there had to be something, right? That something, argues Robert Pielke in Rock Music in American Culture: The Sounds of Revolution, 2nd Edition (McFarland, 2012),

Edith Piaf’s story is rife with drama. The daughter of an acrobat and a singer, she was the first French superstar and sang with wild abandon in a voice that rivaled Judy Garland’s. And yet, so often Piaf’s high-spirits are used against her and her lif...

In Had Me a Real Good Time: Faces Before, During, and After (Omnibus 2011) Andy Neill provides a detailed account of Faces, one of the most popular and critically acclaimed groups of the early seventies. Neill begins his story with biographies of those...

Paul Nelson, the Rolling Stone writer and Mercury Records A & R guy who signed the New York Dolls, is quoted in Kevin Avery‘s Everything is an Afterthought: The Life and Writings of Paul Nelson (Fantagraphics, 2011) as saying,

I saw “The Decline of Western Civilization,” Penelope Spheeris’s film documenting the late seventies punk scene in Los Angeles, when it was first released in 1981/82. Performances by the “popular” bands like Black Flag, the Circle Jerks, X,

In Rock the Nation: Latin/o Identites and the Latin Rock Diaspora (Continuum, 2010), Roberto Avant-Mier challenges the traditional historical notion of rock and roll and rock being the result of the converging of white and African-American musics only....

From carrier of the folk torch to electric rebel, lyrical genius to literary thief, white-faced minstrel to born-again Christian-Jewish singer of Christmas carols, Bob Dylan is an enigmatic giant of American popular music.

Hip-hop has, within a short time span, moved from a free-flowing expression of urban youth to a global–and highly marketable–musical genre. Its influence in culture, fashion, film, and music is ubiquitous, and theories about hip-hop’s importance in the...

To introduce his book Birds of Fire: Jazz, Rock, Funk, and the Creation of Fusion (Duke, 2011),Kevin Fellezs quotes Jeff Beck: “For Christ’s sake, I wish somebody would make up a name for this kind of music, ’cause it ain’t jazz and it ain’t rock.

“Before reggae there was rock steady, and before that, ska,” writes Cedella Marley in the foreword to Heather Augustyn’s 2010 book Ska: An Oral History (McFarland, 2010). By way of interviews with dozens of ska musicians,