Is GETTR done?

Dana Stevens and Karen Han spoil the new Marvel movie Black Widow.

Jeremy O. Harris talks about adapting 148 tweets into a screenplay that feels like the internet.

What happens, to an artist—to anyone—when they’re good enough, but that’s not enough?

Black choreographers on TikTok are refusing to create dances for Megan Thee Stallion’s new song because white influencers can’t stop stealing their work.

Chris Molanphy's deep dive on when rappers started singing, continued.

As Bo Burnham points out in his new special, the internet is inescapable.

Muzak, the purveyors of elevator music, had become a complete joke by the 1990’s when it found many of the players in the Seattle grunge scene working in its offices.

What Britney Spears’ dramatic statement changes in the battle over her conservatorship.

In Pixar’s Luca, we meet the world’s sweetest sea monster.

The summer of protest ignited an explosive reaction in Black music.

The post-pandemic workforce, Tucker Carlson, and student wins at the Supreme Court.

It all started with Chloe Bailey’s sexy Juneteenth rendition of “Feeling Good.”

How did bottled water transform itself from a small, European luxury item to the single largest beverage category in America?

The evolution of an increasingly meaningless word.