Kerry, Tim and Maurice speak with author Daniel De Vise' about his new book on the making of The Blues Brothers and the events that led to its creation.

Tim, Kerry and Maurice are joined by Mike White of the Projection Booth to discuss "Cassette: A Documentary Mixtape" as well as their own experiences with the medium.

Tim, Kerry and Maurice chat with director Denny Tedesco about his new documentary Immediate Family which is sort of a sequel to his earlier film, The Wrecking Crew.

Kerry, Maurice, and special guest See Hearian Sarah Fristoe discuss the 2003 Christopher Guest mockumentary about reformed 60s folk ensembles, A Mighty Wind.

Tim and Maurice discuss the 2015 documentary, Theory of Obscurity: A Film About The Residents.

Tim, Kerry and Maurice look at the 2015 documentary The Wrecking Crew and discuss the film and the work of session musicians.

Maurice speaks with author Steve Matteo about the Beatles films.

Tim, Kerry and Maurice are joined by Dan Fisher of Let's Talk Ten to talk about the phenomenon that was Saturday Night Fever.

Tim, Kerry and Maurice look at the 2014 documentary Free The Jazz focusing on a wider variety of contemporary free jazz musicians.

Tim, Kerry and Maurice discuss the sibling rivalry between the Du Pre' sisters, flautist Hilary and cellist Jacqueline in the problematic 1998 biopic, Hilary and Jackie.

Tim, Kerry and Maurice discuss the 2010 film Sound of Noise about guerilla percussionists and a cop chasing them who hates music..

Tim, Kerry and Maurice discuss the 1988 MTV-era comedy, Tapeheads

Kerry and Maurice talk about 1983's Tender Mercies, featuring Robert Duvall as an ex country singer trying to find redemption.

For episode 101, See Hear looks at a documentary about the independent music scene in the early 2000s in Tel Aviv via an indie label (Fast Music) and an indie and punk club (the Patiphone) The film's director Amit Itzcar explains the scene.

See Hear reaches its 100th episode in style as we're joined by Will Smith and Mike White to talk about the 1984 Milos Forman film, Amadeus.

Interview with film director Kevin Hosmann about his documentary on record cover art, "The Album".

Bernie and Maurice are joined by Mike White of The Projection Booth to speak with Skizz Cyzyk about his new documentary on experimental musician, Neil Feather.

The 1980s were headed into frightening times politically. The threat of war and potential nuclear conflict was pervasive. So naturally music would reflect the times, right? Sure thing....Bette Davis Eyes, Nine To Five (Morning Train), This Ole' House, You Weren't In Love With Me, and Just The Two Of Us were what people were buying – they reflect the times, right?