In this episode we welcome the legendary Nick Kent as our very special guest. Unarguably the most famous British rock writer from the golden era of '70s rock journalism, Nick tells Barney, Mark & Jasper how he began writing for the underground Frendz and then for Nick Logan's super-hip New Musical Express. Recollections of Syd Barrett, Brian Wilson and the Rolling Stones lead inevitably to tales of self-indulgence and self-destruction — and eventually to Nick's sometime drug buddy Iggy Pop, who is heard speaking in March 1977 about his beloved proto-punk band the Stooges and about his new Bowie-produced solo album The Idiot. The conversation turns briefly to Nirvana and Kurt Cobain before we pay our respects to departed Animals guitarist Hilton Valentine and then — led by a very eloquent Jasper — to the extraordinary electronic producer and trans icon SOPHIE. Among the new library articles Mark highlights are pieces about Cream's Eric Clapton, Charlie Gillett's Sound Of The City, Fun Boy Three and 12" disco master-mixer Tom Moulton. For reasons that will be obvious to many of you, Nick pitches in after Mark quotes from Barry Cain's 1978 Record Mirror interview with PiL's John Lydon and Jah Wobble. Jasper wraps up the episode with passing remarks on Simon Reynolds' 2017 retrospective on Donna Summer's epic 'I Feel Love'... Many thanks to special guest Nick Kent; his novel The Unstable Boys is published by Constable and out now. Pieces discussed: Nick Kent on David Bowie, Nick Kent on Brian Wilson, Nick Kent on Iggy Pop, Nick Kent on Kurt Cobain, Chris Salewicz on Nick Kent, Iggy Pop audio, Nirvana, Foo Fighters, Dave Grohl, The Animals, SOPHIE, Sly Stone, Jimi Hendrix, New York Dolls, Eric Clapton, Graham Nash, Sound of the City, Public Image Limited, Fun Boy Three, Tom Moulton, Donna Summer & Giorgio Moroder and Jon Bon Jovi.

In this episode, we welcome the excellent Nick Coleman into RBP's snug virtual cupboard. Barney, Mark & Jasper quiz Nick about his distinctively personal music writing for the NME, Time Out and the Indie on Sunday, with especial reference to his 1986 interview with jazz-soul siren Anita Baker. This leads seamlessly to discussion of his terrific 2017 tome Voices: How a Great Singer Can Change Your Life, as well as to the harrowing experience of hearing loss that inspired 2012's The Train in the Night. In this episode, it was impossible to ignore the death of monstrous megalomaniac and murderer Phil Spector. After hearing a chilling audio clip of him speaking to Roy Carr in 1975, Nick and his hosts attempt to separate the man from the visionary architect of the "Wall Of Sound". (Now a certified psychotherapist, Nick compares Spector's narcissistic personality disorder to that of Donald Trump, who finally vacated the White House the day before this recording.) We also bid farewell to Ed "Duke Bootee" Fletcher, whose lyric for 'The Message' made rap superstars of Grandmaster Flash & the Furious Five and played a huge part in the birth of "conscious hip hop". Somewhat less megalomaniacal than Spector is Miles Copeland III, whose rapid-fire voice we hear in audio clips from 1989. The man who seemed fated to follow in his dad's C.I.A. footsteps tells John Tobler how bankruptcy made him switch from Wishbone Ash to Wayne County – and how he launched I.R.S. Records as a home for R.E.M., the Go-Go's and Fine Young Cannibals. Finally, Mark talks us through his highlights among the 100+ new arrivals in the RBP library, including Dan Nooger reviewing our previous podcast guest John Simon live at Max's Kansas City in 1972; Mary Harron explaining U.K. punk to her U.S. readers in 1977; and Deanne Stillman reporting on America's enduring heavy-metal subculture in 1991. Jasper concludes matters with passing remarks on avant-jazz enigma Albert Ayler and the 1993 Eurovision Song Contest, staged in the tiny Irish town of Millstreet… Many thanks to special guest Nick Coleman; The Train in the Night and Voices are published by Penguin. The Rock's Backpages podcast is part of the Pantheon Podcast Network. Pieces discussed: Donald Fagen, Anita Baker, How to be Keef, Phil Spector audio, Phil Spector, Phil Spectorer, Phil Spectorest, Miles Copeland audio, Herb Alpert, U.K. punk, Blondie, Heavy Metal Mania, Bob Dylan, John Simon, Al Green, CDs vs LPs, Harold Budd, Midlake, Marc Zermati, Ant & Dec, Albert Ayler and the 1993 Eurovision Song Contest.

In the new episode of the Rock's Backpages Podcast, we welcome legendary producer, piano player and songwriter John Simon, beamed in from his winter retreat in the Florida Keys. Mere hours before the shocking assault on D.C.'s Capitol building, John reminisces wittily and insightfully about working with The Band, Janis Joplin, Taj Mahal & Bobby Charles — and about his trenchant musical memoir Truth, Lies & Hearsay. He also joins us as we listen to his sometime fellow Woodstocker Van Morrison talking in 1979 about the classic Astral Weeks. Van/Band fanboys Barney, Mark & Martin ask John about The Last Waltz, for which he served as musical director. The Joplin connection leads to discussion of famed writer and encyclopaedist Lillian Roxon, the pioneering Australian who became a den mother at NYC's Max's Kansas City in the late '60s — and whose Janis obit is one of her featured pieces on our new home page. The RBP team also pays homage to departed stars Gerry Marsden, Geoff Stephens and masked hip hop maverick MF DOOM. Mark and Jasper wrap matters up with remarks on recent RBP library additions, including pieces about Siouxsie & the Banshees, Bruce Springsteen and his pre-E Street band Steel Mill and "Welsh Wu Tang" Goldie Lookin Chain. Many thanks to special guest John Simon; please visit his website at johnsimonmusic.net for information about his book Truth, Lies & Hearsay and much else besides. The Rock's Backpages podcast is part of the Pantheon podcast network. Pieces discussed: John Simon, The Band, Janis Joplin, Van Morrison, Lillian Roxon on Janis, Merseybeat, Gerry Marsden, Winchester Cathedral, MF DOOM, Nor-Cal Folk-Rock Festival, Paul McCartney, Ska Jump, Kenickie, Divine Comedy, Billy Fury, Reggae in the USA, Siouxsie and the Banshees, Radiohead and Goldie Lookin Chain.

In this episode we welcome The Guardian's John Harris into RBP's virtual cupboard to reminisce about his career as a music journalist and author. Mark, Barney & Jasper look back with John at Britpop and at The Last Party, his definitive 2003 book about it; we also consider the crucial role in the Britpop story of Select magazine, which John edited between 1995 and 1997. Discussion of Britpop's more jingoistic aspects is accompanied by references to contemporary pieces on Blur, Oasis & co. by Jon Savage and Stuart Maconie — and followed by John's thoughts on morphing into one of the Grauniad's most respected political columnists.  The week's theme leads neatly into clips from a 1980 audio interview with Britpop forefather Paul McCartney, heard talking to John Tobler about his McCartney II album. Seasoned Beatles freak Harris talks about Macca's solo oeuvre and McCartney II's just-released successor… McCartney III! The "team" and their guest then turn their attention to the passing of the remarkable Charley Pride, the Black southerner who — against considerable odds — became a country music superstar. Mark talks us through some notable new additions to the RBP library, including pieces about the Manson family, the Bee Gees, Kirsty MacColl, the Beastie Boys and Metallica. Barney welcomes California writer Deanne Stillman to the RBP fold with her 2004 piece on the trial of Phil Spector, while Jasper rounds matters off with reflections on Shakira and RBP's Paul Kelly's favourite band Coldplay. Many thanks to special guest John Harris; visit his website at johnharris.me.uk. Pieces discussed: Britpop, Britpoper, Britpopest, Paul McCartney audio, Patti Smith, Ramones, Dis-Education of Rock 'n' Roll, Charley Pride, Charley Prider, Charley Pridest, Charles Manson, Ashford & Simpson, Kirsty MacColl, Soft Cell, Beastie Boys, John Lennon, Barry Gibb & the Bee Gees, Kevin Coyne, Human League, Jason & Kylie, Metallica, Phil Spector, Viv Albertine, Shakira and Coldplay. This show is a part of Pantheon Podcasts.

In this week's episode, we talk to the splendid Kandia Crazy Horse — Zooming in from her apartment in "high Harlem" — about her career as a writer and singer-songwriter; about her abiding love for Southern rock; and about Rip It Up, her 2004 anthology of essays on Black rock from Little Richard to Lenny Kravitz. Along the way we discuss Donny Hathaway, Muscle Shoals, Mad Dogs & Englishmen, Love's Arthur Lee... and Kandia's terrific 2013 country-soul album Stampede. We then go back to 1969 and hear the first of three clips from Joel Selvin's audio interview with the aforementioned Little Richard, prompting discussion of Mr. Penniman's pivotal role in the story of Black rock ('n'roll). Mark then guides us through his new library highlights, including Roy Carr & Ian MacDonald debating David Bowie, Nick Tosches on Dolly Parton, Barry Cain on the blower to Sylvester, Sandy Robertson meeting L.A. legend Terry Melcher in London and Mark Rowland talking at length with Tom Waits. Barney mentions Andy Beckett on Peter Hook and Gary Pig Gold on the Shaggs, while Jasper rounds things off with remarks on Jason Gross' piece about Istanbul in the early noughties and Wyndham Wallace's 2010 review of Janelle Monáe performing at Berlin's Postbahnhof. Many thanks to special guest Kandia Crazy Horse; visit her website at kandiacrazyhorse.com. The Rock's Backpages podcast is proud to be part of the Pantheon Podcast network. Pieces discussed: Allman Brothers, Donny Hathaway, Arthur Lee, Black Rock, Black Rocker, Afropunk, Love, Little Richard audio, Muscle Shoals, Grateful Dead, Dolly Parton, Sylvester, Supremes, David Bowie, Terry Melcher, Tom Waits, George Michael, New Order, Shaggs, Istanbul and Janelle Monáe.

In the new episode of the Rock's Backpages podcast, we welcome into RBP's cosy virtual cupboard the BBC's former Head of Music Entertainment — and the co-creator of the enduring Later… with Jools Holland show. Yes folks, Mark Cooper revisits his career as a music writer — from seeing the last Sex Pistols show in San Francisco in 1978 to interviewing N.W.A. in South-Cental L.A. 1989 — and talks about his long TV career and the hatching of Later in 1992. Mark's 2008 interview with Neil Young sparks a discussion of the Canadian giant's so-called "doom" years from 1972 to 1976, boxed up this month in the second volume of his monumental Archives project. With special attention to 1975's dark masterwork Tonight's the Night, we hear clips of Neil speaking in 1985 and 2005, then discuss Don't Be Denied, the documentary Mark made about him with director Ben Whalley. There's yet more audio in the episode as we celebrate the 70th birthday of Steve Van Zandt (or, if you prefer, Miami Steve, Little Steven… or indeed Silvio Dante) with clips from a 1982 interview. The E Street Band legend and subsequent Sopranos star talks to John Tobler about the bands he and his buddy Bruce Springsteen led in mid-'60s New Jersey, after which Mark and his co-hosts compare views on SVZ's side band the Disciples of Soul. Finally, Mark (Pringle, that is) talks us through his highlights among the week's 50+ new library articles, including great pieces on the Four Tops, David Bowie, Hound Dog Taylor, Dan ('Instant Replay') Hartman and Sheryl Crow … after which Barney quotes from interviews with Prince and Ani DiFranco, talking about Woody Guthrie and Donald Trump's odious dad Fred. That just leaves Jasper to wrap things up with closing remarks on Simon Cowell's ill-fated Girl Thing and former X-Factor contestant Cher Lloyd. Many thanks to special guest Mark Cooper. Rock's Backpages is proud to be part of the Pantheon podcast network. Pieces discussed: Neil Young, Sex Pistols, NWA, Neil Young, Neil Younger, Neil Youngest, Crazy Horse, Steve Van Zandt audio, Four Tops, David Bowie, Hound Dog Taylor, Dan Hartman, Culture Club, Mantronix, Sheryl Crow, Prince, Ani DiFranco, Girl Thing and Cher Lloyd.

In this episode we welcome acclaimed playwright Jez (Jerusalem) Butterworth into RBP's virtual cupboard to talk mainly about The Band – but also about Dolly Parton and other musical tastes shared with hosts Mark, Barney & Jasper.  Barney gets the ball rolling by asking Jez how an early '90s conversation with Malcolm McLaren led to his first play Mojo – and how music has long played a part in his work. A Butterworth screenplay based on John Niven's peerless novella Music from Big Pink prompts discussion of The Band, taking in clips from Barney's 1991 audio interview with Al Aronowitz, the New York Post writer who first visited Big Pink to report on Bob Dylan's former backing group. A tangent takes the episode into the terrain of Jerusalem, not to mention Brexit and the rural vs. urban polarisation exemplified by the U.S. presidential elections (still bitterly undecided at the time this episode was recorded). A neat segue leads to a deep appreciation of Dolly Parton, about to publish her autobiography Storyteller. An early Parton interview on RBP's home page provides a perfect springboard for consideration of her unique voice, her politics (or lack thereof), and her cosmetic augmentations. There's no easy pivoting from Parton to Perry Farrell: suffice to say that – in 1996 audio clips about his Lollapalooza festival and the "spirits" of heroin and cocaine – the former Jane's Addiction and current Porno for Pyros frontman is barmy, brilliant and typically engaging.  Last but far from least, Mark talks us through his personal highlights from the week's new intake of great interviews and reviews from the golden age(s) of music journalism – including the Daily Express' Ivor Davis dropping in on John Lennon during his "lost" L.A. weekend in 1973, the Village Voice's Richard Goldstein on the "meaning" of Bette Midler in 1975, NME's Paul Morley coaxing quotes out of Joy Division's Ian Curtis in 1979… and that same rag's Steven Wells lambasting pale and uninteresting Velvet Underground devotees in 1993. Jasper takes us out with quotes from a fabulous early interview with Ms. Amy Winehouse… Many thanks to special guest Jez Butterworth. The Rock's Backpages podcast is proud to be part of the Pantheon Podcast Network. Pieces discussed: The Band, Bob Dylan, Al Aronowitz audio, Dolly Parton, Dollier Parton, Dolliest Parton, Perry Farrell audio, Bob Dylan & the Hawks, Steve Winwood, John Lennon, Bette Midler, Manchester bands, Luther Vandross, Velvet Underground, Public Enemy, Amy Winehouse and Baron Wolman.

In this episode, Barney, Mark & Jasper welcome the great Loraine Alterman — live from New York City! — to reminisce about her journey from '60s "Teen Beat" reporter on the Detroit Free Press to co-producer of a new Broadway show about Motown stars the Temptations. Along the way we also hear about New York's Fillmore and Apollo theatres — and how John Lennon came to be Best Man at her wedding to actor Peter Boyle. Then we head back to the Motor City to discuss the genius of Stevie Wonder as he morphed from '60s Motown prodigy to '70s Moog magician. After paying their respects to the late Spencer Davis – the R&B "professor" who launched the superhuman lungs of 16-year-old Stevie Winwood on the world — your hosts and their guest hear the first of three clips from a compelling audio interview with Elvis Costello, mainly (but not exclusively) telling Adam Sweeting about his 1995 covers album Kojak Variety. Discussion of pop's own Mr. Eclectic ensues before Mr. Pringle talks us through his favourite new additions to the ever-expanding RBP library — including interviews with Brian Jones, Robert Wyatt, Grace Jones … and mall-pop princess Debbie Gibson. Barney cites a prescient 2014 interview about racism and Confederate flags with Lynyrd Skynyrd's Rickey Medlocke, and Jasper wraps matters up with reflections on Jason Donovan and D'Angelo… Many thanks to special guest Loraine Alterman. For more information about the International Myeloma Foundation’s Annual Comedy Celebration, please visit comedy.myeloma.org. Pieces discussed: MC-5, Smokey Robinson, Apollo Theatre vs Fillmore East, John Lennon, Stevie Wonder, Stevie Wonderer, Stevie Wonderest, Spencer Davis Group, Spencerer Davis Group, Spencest Davis Group, Elvis Costello audio, Brian Jones, Soul, Soft Machine, Funkadelic, J. J. Cale, Grace Jones, Debbie Gibson, New Order, Lauryn Hill, Lynyrd Skynyrd, Jason Donovan, D'Angelo's Black Messiah and Parody in Popular Music. This show is part of the Pantheon Podcast Network.

In this episode we invite James "Midge" Ure to talk us through his wonderfully convoluted career in a conversation that stretches from Slik to Visage — via the Rich Kids, the Blitz club and Live Aid — to his present-day Backstage Lockdown Club. With a special focus on the New Romantics, RBP's hosts ask Midge about Ultravox, whose classic Vienna album is 40 years old this week, and touch on the "manifesto" that Sounds' Betty Page put together with Spandau Ballet in that same year. Midge also pitches in on the passing of guitar-shredder extraordinaire Eddie Van Halen, whose sad loss prompts a general celebration of the pop-metal band that was Eddie's namesake. We also pay our respects to U.S. soul singer turned reggae ambassador Johnny Nash and to country-MOR singer-songwriter Mac ('In The Ghetto') Davis.  The week's new audio interview being Steven Daly's 1998 conversation with R&B mega diva Mariah Carey, we hear two clips from this very entertaining chinwag ... and then ponder the pros and cons of Carey's career and oeuvre. Mark then walks and talks us through his highlights of the week's new intake of library articles , including seminal pieces on Otis Redding (1966), Ewan MacColl (1975) and Kraftwerk (1977), while Jasper rounds matters off with remarks on reviews of Ricky Martin, Jack White... and Midge Ure live in February this year! Many thanks to special guest Midge Ure. Join Midge's Backstage Lockdown Club at www.patreon.com/midgeure, and check out the deluxe 40th anniversary version of Ultravox's Vienna. Pieces discussed: Visage, Spandau Ballet, New Romantics, Van Halen @ Whisky a Go Go, Van Halen, Van Halener, Van Halenest, Johnny Nash, Mac Davis, Bunny "Striker" Lee, Mariah Carey audio, Otis Redding, Jackson Five, Ewan MacColl, Kraftwerk, ABC, Radiohead, Natalie Imbruglia, Dis-Education of Rock 'n' Roll, Ricky Martin, Lester Bangs, Jack White and Midge Ure. This show is part of Pantheon Podcasts

In this week's episode, we welcome the wonderful Jude Rogers into RBP's very own Gridworld. Live from her native Wales, the far-from-obscure Jude reviews her career as a music scribe from The Llanelli Star to The Word, revisiting interviews with megastar-in-the-making Adele Atkins and wholly reformed cocaine fiend Tony Bennett. Jude also reflects on a 2008 thinkpiece about the Beach Boys' influence on Fleet Foxes, the latter having just "dropped" a rather fine new album, Shore, with minimum fanfare. Additionally, Jude offers her thoughts on the multifarious splendours of Prince's Sign 'O' the Times, the 1987 "double" album oft regarded as his crowning achievement. Hosts Mark, Barney & Jasper reference contemporary reviews of the record and ponder the influence on the purple maestro of departed Revolutionaries Wendy & Lisa. After noting the passing of blue-eyed soul man Roy ('Treat Her Right') Head – with nods to a nice 1966 profile of the Texan by Britain's Bill Millar – your hosts and their guest hear the first of three clips from Martin Aston's 1986 interview with Sonic Youth, wherein Kim, Lee, Steve and Thurston (new solo album out this week!) discuss, among many other matters, obscure guitars and their interpretation of fellow Manhattaniite Madonna's 'Into the Groove(y)'. The episode concludes with a round-up of particularly tasty additions to the RBP librarium, including a 1966 report on "psychedelics", a 1972 interview with the impressively recalcitrant Bill Withers, a 1988 Smash Hits encounter 'twixt Chris Heath and wannabe-soul boys Wet Wet Wet...and pieces about neglected Motown siren Kim Weston and "postmodern-cabaret" man Max Raabe. Pieces discussed: Adele, Tony Bennett, Beach Boys influence, Prince, Princer, Princest, Wendy & Lisa, Roy Head, Roy Head: Club Lingerie, Sonic Youth audio, Psychedelics, Beach Boys, Bill Withers, Sex Pistols, Judas Priest, Wet Wet Wet, Elastica, Louise Criscione, Kim Weston, Salt-N-Pepa and Max Raabe. This show is part of Pantheon Podcasts.

In this week's episode, we invite cult meta-comedian and out-there-music connoisseur Stewart Lee to discuss the new documentary he's made about Prefects/Nightingales legend Robert Lloyd. Stewart also pitches in on RBP's new audio interview, a 1991 conversation 'twixt the late Andy Gill and everyone's favourite choirboy-voiced Commie Robert Wyatt. In addition we consider the week's featured RBP writer Caitlin Moran, with especial attention to her hair-raising 1994 encounter with Courtney Love. Plus we bid a fond farewell to Kool & the Gang co-founder Ronald "Khalis" Bell and to Simeon Coxe of pioneering '60s oscillators Silver Apples... Finally, with intermittent interjections from Mr. Lee, Mark picks highlights from the week's trove of new additions to the RBP library, including top pieces on Jimi Hendrix (1967), Rodney "Mayor of Sunset Strip" Bingenheimer (1979), Spandau Ballet (1981) and inimitable drag superstar RuPaul (1993). With Stewart's tastes in mind, Jasper M-B spotlights Wire classics on Laurie Anderson (2001) and Japanese free-music extremist Keiji Haino (2002). Many thanks to special guest Stewart Lee. Find out more about King Rocker at kingrockerfilm.com. Pieces discussed: Robert Lloyd, Nightingales, The Prefects, The Chameleons, Robert Wyatt audio, Courtney Love, Kylie Minogue, Spice Girls, Silver Apples, Kool & the Gang, Jimi Hendrix, Johnny Thunders & the Heartbreakers, Rodney Bingenheimer, Spandau Ballet, Brothers Johnson, Sinéad O'Connor, RuPaul, Keiji Haino and Laurie Anderson. The Rock's Backpages podcast is proud to be part of the Pantheon podcast network.

In this week's episode, Mark and Jasper are joined by the fabulous Vicki Wickham to chat all things pop and beyond, starting with her experiences as producer of TV show Ready, Steady, Go! in swinging sixties London, when Vicki became good friends with Dusty Springfield, through writing for Fabulous and Melody Maker to managing Labelle in the 70s and much else besides. Vicki talks about how she got her foot in the door of television and reminisces about writing lyrics for Dusty, then tells the story of moving to New York to open a US office for Track Records. We then find out how she masterminded the metamorphosis of Patti Labelle and the Blue Belles into groundbreaking pop trio Labelle, who Mark reckons paved the way for TLC and even the Spice Girls. Vicki, Mark and Jasper then listen to clips from an audio interview with Morrissey, in which the seeds of his later racism are occasionally audible, and Vicki admits that although she was nominally his manager for a short while, he was mostly interested in hearing the stories she had to tell. (In any case, he turned out to be unmanageable.) The trio then pay tribute to the Heartbreakers' Walter Lure, singer-songwriter Justin Townes Earle, Jack Sherman of the Red Hot Chili Peppers and R&B singer D. J. Rogers before Mark and Jasper present some of their highlights from the new pieces going into the RBP library. Mark selects pieces on pop television, Led Zep IV and Patti Smith, and Jasper rounds things out with the Scissor Sisters and Merzbow. Pieces discussed: Vicki Wickham, Ready, Vicki, Go!, Labelle's Nona Hendryx audio, Vicki Wickham's Pop Guide to London, Graham Nash, Ashford & Simpson, Morrissey audio, Jon Savage with the Heartbreakers, Pete Makowski on the Heartbreakers, Justin Townes Earle, Red Hot Chili Peppers, D. J. Rogers, TV pop, Led Zeppelin IV, David Bowie, Patti Smith's Horses, The Germs, Morrissey, Scissor Sisters, Richard Pinhas & Merzbow and Echo & the Bunnymen. Rock's Backpages is proud to be part of the Pantheon Podcast Network.

In this episode, Barney & Jasper welcome the legendary Alan McGee into RBP's virtual cupboard. The Creation Records founder talks us through his storied career, from his school days in Glasgow to the Creation 23 label of the 21st century.  Reminiscing about the early '80s Living Room gigs he put on in London, Alan describes the signings of Oasis, the Jesus and Mary Chain another great Creation acts. He also explains how Primal Scream got from Sonic Flower Groove to Screamadelica; how he almost signed Teenage Fanclub's idol Alex Chilton; how My Bloody Valentine's Loveless did (or didn't) almost bankrupt his & Dick Green's baby; and how appalled Sony were by Kevin Rowland's My Beauty album after the company acquired 49% of Creation's shares in 1992. Slightly cheekily, RBP's co-hosts then force Alan to listen to clips from a 2007 audio interview with Alex James of Oasis's Britpop nemesis Blur — except it turns out he never really hated those soft southern Sassenachs in the first place: it was all the Gallaghers' fault. Quel surprise… After paying their respects to fallen pop heroes Wayne Fontana, Trini Lopez and Seeds guitarist Jan Savage, Barney & Jasper talk through their highlights of the week's new "library load ". These include Lillian Roxon's 1966 report on "Music City USA" (i.e. Nashville); Michael Goldberg's 1983 report on MTV's exclusion of Black music videos; Joni Mitchell bellyaching in 1981 about being "written out of rock history"; a breathless 2002 review of Scandi garage rockers the Hives live at London's Astoria, and a riveting Aphex Twin interview from 2003… Pieces discussed: Creation, Creationer, Creationest, Jesus & Mary Chain, Vile Evil from East Kilbride, Primal Scream, Blur's Alex James audio, Wayne Fontana, Trini Lopez, The Seeds' Jan Savage, Death Discs, Nashville, Wizzard, Patti Smith, MTV, Joni Mitchell, Cleveland punk, Jerry Ragovoy, The Hives, Aphex Twin and Beyoncé.

In this episode we welcome the wonderful Mary Harron, director of cult movies I Shot Andy Warhol and American Psycho. After a brief digression on dating Tony Blair at Oxford, the Canadian relives her memories of the punk rock scene at New York's CBGB club, including her interviews with the Ramones and Talking Heads for John Holmstrom & Legs McNeil's pioneering Punk magazine. Mary also talks about her friendship with ZE's Michael Zilkha and her long fascination with Warhol and the Factory. Along with her hosts, she hears clips from Martin Aston's 1987 audio interview with Tom Verlaine, prompting her recall of his seminal band Television and a general discussion of 1977's classic Marquee Moon album.  Mark & Barney pay heartfelt tribute to tragic blues-guitar hero Peter Green, ruminating on what made the Fleetwood Mac man so much more emotional a player then his UK blues-boom peers. They also say goodbye to the hilarious CP Lee, former frontman with Mancunian satirists Alberto Y Lost Trios Paranoias. After bringing Mary's directorial career up to date – with an aside on the American Psycho soundtrack that affords Jasper a chance to wax lyrical about Huey Lewis & the News – Mark selects his library highlights, including notable pieces about Brian Jones, Labelle, the Bush Tetras and, erm, the Knack. Jasper rounds things up – and brings matters back down to earth – with remarks on pieces about "superstar DJs" and Stock Aitken Waterman teaboy Rick Astley…  Pieces discussed: Mary Harron on the Ramones / on pop art / on Michael Zilkha, Punk Rock, Talking Heads, Shouting Heads, Tom Verlaine audio, Peter Green, Peter Greener, Alberto y Lost Trios Paranoias, Rolling Stones, Labelle, Disco, Bush Tetras, The Knack, Jeff Beck, Superstar DJs, Rizzle Kicks and Rick Astley.

In this episode we are joined by self-professed "failed musician" and pasta-sauce mogul Loyd Grossman, OBE, to wax nostalgic about the most important years of his illustrious career: those he spent as a contributor to Fusion, Rolling Stone and other American music papers. Loyd reminisces very amusingly about seminal late '60s shows at the Boston tea party, before explaining how he moved to London and reinvented himself as a British national treasure on TV and in every kitchen in the country. He also recounts how he came to play guitar, three times a year, with Jethro Tull.  After a digression on the sad passing of Fairport Convention's original singer Judy Dyble, Loyd joins his hosts in hearing clips from a 1982 audio interview with Queen's Brian May in which that poodle-headed plank-spanker describes, among other things , working with David Bowie on the classic 'Under Pressure'. Barney drags Loyd into a discussion of the wrath heaped upon his compatriots the (Dixie) Chicks, whose new album Gaslighter affords the opportunity to examine the close links between country music and hyper-patriotism. Loyd turns out to be a country fan and gives a special thumbs-up to the Chicks' defiant 2006 song 'Not Ready To Make Nice'.  Mark brings the episode to the boil with remarks on new library pieces such as Lillian Roxon's 1966 review of James Brown at Madison Square Garden, Roy Carr's day out in Hyde Park in summer 1970 watching Pink Floyd and Kevin Ayers, and David Keeps meeting Madonna at the Hard Rock Café. Jasper's chosen pieces include Ian Penman on hip hop and John Calvert on OK Go… Many thanks to special guest Loyd Grossman. The Rock's Backpages podcast is proud to be part of the Pantheon podcast network. Pieces discussed: Bonzo Dog Band, Beatles, Pink Floyd, Groundhogs, Queen's Brian May audio, (Dixie) Chicks, (Less Dixie) Chicks, (Least Dixie) Chicks, James Brown, Pink Floyd & Kevin Ayers, Mama Michelle, Archie Bell, Sex Pistols, Madonna, Anthony Wilson, High Llamas, Jackson Browne, Hip hop books and OK Go.

In this week's episode, we welcome former Face editor Sheryl Garratt into RBP's Zoomworld to ask her about rave and club culture – and how we got from disco to acid house to 2020's quarantine raves. Sheryl discusses her newly-reissued/revised 1999 classic Adventures in Wonderland and looks back on her journey from the NME to The Observer. Mark, Barney & Jasper ask her about her seminal 1986 Face piece on Chicago's House scene – and about Ecstasy and 1988's "second summer of love".  Clips from the week's new audio interview, a 2005 conversation between DJ History's Bill & Frank and Shoom/Boy's Own legend Terry Farley, provide the perfect springboard for further reminiscence of House music and the UK's ever-fecund club scene. Sheryl also pitches in on the week's Free On RBP feature about fellow Brummie Mike (The Streets) Skinner, whose classic track 'Weak Become Heroes' was arguably the greatest elegy for the rave era. We hear a clip of Skinner speaking to Gavin Martin in 2002 and celebrate that year's splendid Original Pirate Material album.  Among the new RBP library additions considered are Hugh Nolan's Disc report on London's psychedelic temple the UFO club (1967), a slightly unlikely 1989 encounter between David Toop and Bakersfield country icon Buck Owens, and Chris Heath's hilarious 1997 Rolling Stone cover story on the Spice Girls. Jasper takes us out with observations on a pointless Tim Buckley tribute album (2000) and an interview with Public Service Broadcasting's amusingly-monikered J. Willgoose , Esquire …  Many thanks to special guest Sheryl Garratt; buy Adventures in Wonderland on Amazon and visit her website at sherylgarratt.com. Pieces discussed: House sound of Chicago, Blackpool Weekender, 1988 and all that, Terry Farley audio, The Streets audio, The Streetser, The Streetsest, UFO Club, George Harrison, Al Green, Buck Owens, Neil Kulkarni's letter to MM, Spice Girls, Tim Buckley tribute, Tim Buckley live, James Blood Ulmer, Public Service Broadcasting and Britney Spears. The Rock's Backpages podcast is proud to be part of the Pantheon podcast network.

In this week's episode, we welcome legendary Rough Trade founder Geoff Travis into RBP's virtual cupboard. Averse to nostalgia though he is, Geoff looks back on the musical odyssey that took him from suburban north London to San Francisco's City Lights bookstore — and then back to Notting Hill Gate, where the Rough Trade story started in 1976. Mark and Barney ask him about the label's many remarkable artists (from the Fall to the Smiths), the Cartel distribution network he set up, and the company's second coming with the early Noughties signings of the Strokes and the Libertines.  A timely segue takes us into discussion of early Rough Trade postpunks Scritti Politti, whose frontman Green Gartside is heard in clips from a 2006 audio interview by Adam Sweeting. Geoff shares his memories of — and deep respect for — Green, answering questions about the singer's return to Rough Trade after Scritti's major-label successes of the '80s and '90s. After a passing nod to pieces by RBP's featured writer of the week Pat Blashill — author/photographer of the splendid new Texas is the Reason — Mark leads us gently through his highlights of the week's library additions. Most pleasingly, he welcomes the work of the late Lillian Roxon to RBP in the form of her 1967 report on the new creatures dubbed "Hippies". Other pieces picked out include Isaac Hayes talking about Shaft in 1971 and a 1977 live review of Sylvester performing at San Francisco's Old Waldorf club. Jasper brings the episode to a conclusion by quoting from pieces about Corinne Bailey Rae and North Carolina's electronic duo Sylvan Esso before a final clip of Mr Gartside in full flow takes us out… Pieces discussed: Rough Trade, Rougher Trade, Roughest Trade, Scritti Politti's Green Gartside audio, Beastie Boys, America's Rave Scene, Photographs of Texas punks, Hippies, Isaac Hayes on Shaft, Sylvester live, Randy Newman, Corinne Bailey Rae and Sylvan Esso. The Rock's Backpages podcast is proud to be part of the Pantheon podcast network.

In this week's episode, Mark, Barney and Jasper discuss the role music has played in expressing the pain and rage of Black Americans. Touching on such seminal figures as Nina Simone, Curtis Mayfield and the Last Poets, they listen to clips from a 1976 audio interview with the late Gil Scott-Heron, assessing his militant poetics and the albums he made with Brian Jackson. From there, the RBP team considers interviews with Public Enemy's Chuck D in 1992 and, from 2015, Kendrick Lamar. They also discuss a 1971 piece about James Brown by pioneering Black "rock critic" Vernon Gibbs.  Mark talks us through such highlights of the week's new additions to the RBP library — Philip Elwood's live review of Judy Garland at San Carlos' Circle Star, Roy Carr's interview with New Orleans piano great Professor Longhair, Michael Goldberg's salute to New York electro-punk duo Suicide and David Toop's tribute to '60s pop Svengali Larry Parnes. Barney cites a timely 2011 interview with Harry Belafonte, wherein the singer-actor reflects on his civil-rights activism, after which Jasper wraps up matters by looking at pieces about the boundary-pushing Peaches, the return of Neneh Cherry and the bizarre artist known formerly as Terence Trent D'Arby.  The Rock's Backpages podcast is part of the Pantheon podcast network. Please consider donating to organisations fighting against racism and injustice, such as Black Lives Matter UK and the NAACP/NAACP Legal Defense Fund. For further resources, readings, and ways to help, please visit https://blacklivesmatters.carrd.co. Pieces discussed: Gil Scott-Heron audio, Nina Simone, Public Enemy, Kendrick Lamar, James Brown, Indie labels, Judy Garland, Professor Longhair, Suicide, Larry Parnes, Depeche Mode, Charles Brown, Harry Belafonte, Peaches, Alicia Keys, Neneh Cherry and Terence Trent D'Arby.

In this week's episode, we welcome the great Jonh Ingham into RBP's "virtual cupboard". In a fascinating conversation, he revisits the peripatetic childhood that took him to California in the '60s – and to San Francisco's Fillmore West, where in 1971 he reviewed a famous Aretha Franklin show for Creem magazine. Mark & Barney ask him about his return to the UK, where he wrote for NME and then Sounds, championing London's nascent punk scene in early '76 and conducting the first interview with the Sex Pistols. He also reminisces about running the Fake Club in L.A., working in advertising in Tokyo, and ending up as CompuServe's head of content back in the UK.  After a brief digression on the subject of Stefani "Lady Gaga" Germanotta – with Mark & Jasper almost coming to cultural blows – Jonh offers his thoughts on John Peel, subject of the week's knew audio interview. We hear clips of the beloved DJ talking to Martin Aston in 1989, prompting recall of the great man's self-effacing radio personality and his incalculable impact on all forms of alternative music. Mark talks us through highlights of the week's new library pieces , including Nat King Cole's last-ever interview before his death in 1965 and a 69-year-old Cab Calloway speaking to Philip Elwood in 1976. Jasper concludes matters by discoursing on French quartet Phoenix, Malian master Ali Farka Touré and jazz legend George Russell.  Many thanks to special guest Jonh Ingham, whose book Spirit of '76 is available online at Blackwell's and all other good bookshops. The Rock's Backpages podcast is proud to be part of the Pantheon podcast network. Pieces discussed: Aretha Franklin, Sex Pistols, Punk, Lady Gaga, Lady more Gaga, Lady most Gaga, John Peel audio, Nat King Cole, Hendrix etc., Grateful Dead + Miles Davis, Cab Calloway, Earth, Wind & Fire's Maurice White, Aphex Twin, Phoenix, Ali Farka Touré, Daft Punk and George Russell.

In this week's episode, Mark, Barney & Jasper talk extensively about one of the great record labels — a hallowed home to such groundbreaking acts as Jimmy Cliff, Nick Drake, Roxy Music, (Bob Marley and) the Wailers and, yes, U2. Listening to clips from John Tobler's 1989 audio interview with Island founder Chris Blackwell, RBP's power trio reflect on what made the label such a powerhouse for non-mainstream genres like folk and reggae. Blackwell talks of its transformation after 1967, as well as his first encounter with Marley in 1972. A neat segue via Lenny Kaye's 1975 overview of the label leads "the team" into a discussion of Sparks, the American art pop duo who've just released their new album, A Steady Drip, Drip, Drip. Mark & Barney reminisce about the Mael brothers' Island years in the '70s, commencing with Kimono My House and its astonishing hit single 'This Town Ain't Big Enough for the Both of Us'. We stay in the '70s, moreover, as the RBP troika considers great Disc pieces — about Lou Reed and Chinnichap — by the splendidly-named Ray Fox-Cumming. Mark rounds matters off by talking us through new library pieces about Santana, Hamilton Bohannon, John Fahey (1977), Joni Mitchell and N.W.A., while Jasper adds his tuppenceworth on articles about British folk institution Topic Records, the death of the album and Busta Rhymes. And we go out with a clip from Johnny Black's 1995 audio interview with Pretty Things frontman Phil May, who sadly passed away last week... The Rock's Backpages podcast is proud to be part of the Pantheon podcast network. Pieces discussed: Chris Blackwell audio, Island Records, Sparks, Ron Mael, Lou Reed, The Sweet, Queen, Santana, Hamilton Bohannon, John Fahey, The Pretenders, Sheena Easton, Roxanne Shanté, NWA: Straight Outta Compton, Robert Johnson, Mark Ronson, The T.A.M.I. Show, Cecil Sharp, Folk field recordings, Death of the album, Busta Rhymes and Phil May audio.

In this week's episode, we welcome special guest James Fox, author of 1982's bestselling White Mischief and the man who, ten years ago, made Keith Richards' Life one of rock's outstanding autobiographies. James talks us through his long and distinguished career as a journalist in Africa, and as a features writer during the golden era of The Sunday Times Magazine. He describes how his friendship with "Keef" was cemented by the pieces he wrote for that publication about the Rolling Stones in 1973 and 1976, answering his hosts' questions about the great man's rhythm guitar playing. The fantastic Mr. Fox also offers his perspective on Little Richard, whose death last week prompts discussion of the gay black southerner's explosive role in the birth of rock & roll. We hear a clip of the sometime Mr. Penniman speaking in 1985 – as well as one of the late Betty ('Clean Up Woman') Wright owning up to being a shameless show-off in 1978. Handily, James is on hand, too, to reminisce about the importance of Moe Asch's legendary Folkways label – as revisited in the week's new audio interview, a conversation with folk elder Pete Seeger conducted by Tony Scherman in 1987. Clips follow of Seeger talking about Asch and recalling Folkways legends Lead Belly and Woody Guthrie.  As ever, Mark guides us through his personal library highlights, including pieces about John Coltrane (1965), Deep Purple (1970), Ashford & Simpson (1982) and Billy Idol (1990). Jasper concludes matters with quotes from pieces about Joanna Newsom (2015), JPEGMAFIA (2017) and, erm, James Blunt (2020). Many thanks to special guest James Fox—visit his website at jamesfox.co.uk. The Rock's Backpages podcast is proud to be part of the Pantheon podcast network. Pieces discussed: Keith Richards' guitar playing, Rolling Stones, Papa Wemba, Little Richard, Little Richarder, Little Richardest, Betty Wright, Betty Wrighter, Pete Seeger, John Coltrane Quartet, Velvet Underground and Nico, Kate and Anna McGarrigle, Ashford & Simpson, Billy Idol, Ice-T, Acid House, Joanna Newsom, JPEGMAFIA and James Blunt.

In this week's episode of the RBP podcast, we pay tribute to Kraftwerk cofounder Florian Schneider, along with Afrobeat linchpin Tony Allen and Stranglers keyboardist Dave Greenfield. The excellent Simon Witter joins us to offer essential expertise on Schneider's vital part in making Kraftwerk the hugely influential group they were, with discussion revolving around our guest's epic MOJO retrospective on the electronica godfathers. RBP's regular triumvirate consider pieces by the week's featured writer Lisa Verrico, commencing with a hilarious 1994 diatribe from the Fall's Mark E. Smith. More-up-to date are her great Sunday Times profiles of cutting-edge stars Billie Eilish and Christine & the Queens, prompting passionate endorsements by "our Jasper" Murison-Bowie. Being a tiny bit older than "our" Jasper, Mark Pringle & Barney Hoskyns steer the conversation towards the week's new audio interview. Clips from John Tobler's 1973 chat with Rick Nelson trigger musings on TV teen Idol Ricky's metamorphosis into a credible rock and roller – and then into the trailblazing L.A. country rocker whose Stone Canyon Band backed him on his wry Top 10 hit 'Garden Party'.  Finally, Mark walks us through the new library additions that most tickled his interest this week, including Jamie McCluskey III (a.k.a. Eden, a.k.a. Nikki Wine) chatting to the Beach Boys' Brian Wilson in 1965, David Keeps in conversation with Detroit's Was (Not Was) in 1983, and RJ Smith anticipating Trump's America in a prescient 1991 piece about Guns N' Roses. Barney pics Carol Clark's lovely 2001 lament for the inimitable Joey Ramone, while Jasper focuses on – among other items – John Calvert's 2015 dissection of problematic lyrics by Abel "The Weeknd" Tesfaye…  Many thanks to special guest Simon Witter. The Rock's Backpages podcast is part of the Pantheon podcast network. Pieces discussed: Kraftwerk, Kraftwerker, Am Kraftwerksten, Mark E. Smith, Billie Eilish, Christine and the Queens, Rick Nelson audio, Brian Wilson, The Band, Was (Not Was), The D.O.C., Guns N' Roses, Hip Hop in 1998, Joey Ramone, Neil Cowley Trio, The Weeknd and Tame Impala's Slow Rush.

In this week's episode, RBP's very own Terrible Trio are joined by the legendary Jill Furmanovsky for a free-ranging conversation about her long career – and about rock photography in general. Jill describes her lucky 1972 break at London's Rainbow Theatre, talks about shooting Pink Floyd and Bob Dylan, and namechecks fellow snappers Pennie Smith and Barrie Wentzell. Discussion follows about free pieces (on Henry Diltz, Dennis Morris, and Barry Feinstein) by Observer photography critic Sean O'Hagan.  The first of three clips from a 1975 interview with the late Errol Brown prompts reflections on the delicious Hot Chocolate – and what made Brown such a compelling star of '70s pop. Mark then guides us through new library pieces about Andy Williams (1963), the MC5 (1968), Ringo Starr (1972), and Scritti Politti (1988). Barney spotlights articles on Frankie Goes to Hollywood and the state of music journalism in 2018. Jasper wraps up the episode by considering the post-Velvets careers of Lou Reed, John Cale and co., plus an unlikely 2011 live pairing of Foo Fighters and CeeLo Green…  Many thanks to special guest Jill Furmanovsky; visit rockarchive.com to see her photography. We are delighted to launch our exclusive collaboration with Rockarchive at rocksbackpages.com/rockarchive. The Rock's Backpages podcast is part of the Pantheon podcast network. Pieces discussed: Jill Furmanovsky's Moment, Jill's Bobquest, Val Wilmer, Dennis Morris, Henry Diltz, Barry Feinstein, Hot Chocolate audio, Andy Williams, The Beatles, MC5, Ringo Starr, Muddy Waters, Scritti Politti, Suede, Fiona Apple, Frankie Goes to Hollywood, Music journalism, Life beyond the Velvets, Foo Fighters/CeeLo Green and Zoot Suit riots.

Content warning: This episode contains discussion of assault (1:02:28–1:05:20) that some listeners may find distressing. In the 70th episode of our podcast, RBP's Zooming triumvirate talk about the Who's Live at Leeds — "the greatest live album ever made," in many people's H.O. — as it reaches its half-century. Referencing Geoffrey Cannon's unabridged Guardian review from May 1970, Mark & Barney relive memories of seeing the Who live and — with Jasper — explore what made the band such a uniquely powerful live unit. The two other giants of '60s British pop feature in free pieces by KRLA Beat's Nikki "Eden" Wine, who attempts to explain Beatlemania in 1965 and hangs around a Rolling Stones session in Hollywood in 1966. Mark puts "the Beat" ("America's Pop Music NEWSpaper") into historical context and describes how some of its key female contributors wound up on RBP. A passionate fan of Ron Sexsmith's for 25 years, Barney intros his own 2011 audio interview with the self-effacing Canadian. There are clips of Ron talking about Interscope signing him at the ripe old age of 31; about his and others' songwriting; and about his painful envy of Neil Diamond's onstage confidence. Finally, Mark & Jasper chew over highlights among the week's new library pieces, including interviews with Chicken Shack (1969), Manitas de Plata (1971) and Creation's Alan McGee (1997); a report on the Jacksons' overblown Victory tour of 1984; a review of Childish Gambino's first London gig (2012); and a 2017 report on allegations of sexual abuse against "queer punk" duo PWR BTTM… The Rock's Backpages podcast is proud to be part of the Pantheon podcast network. Pieces discussed: The Who: Live at Leeds, Live at Leeds (Super Deluxe!), Paul Entwistle, Beatlemania, Rolling Stones, Marvin Gaye, Ron Sexsmith audio, Doris Day, Chicken Shack, Manitas de Plata, The Jacksons' Victory tour, Metallica, Belly, Alan McGee, Felt, Humphrey Lyttelton joins Radiohead, Donny Hathaway, Childish Gambino and PWR BTTM.

In this week's episode, your regular co-hosts are joined for the second time by RBP's original co-founder Martin Colyer, beamed in from Leyton, to offer his invaluable thoughts on Lucinda Williams and Greil Marcus' classic Mystery Train.  Williams prompts near-rapturous approval for her 1998 masterpiece Car Wheels on a Gravel Road, with Mark and Barney similarly admiring its southern poetics and Americana-defining country soul. Conversation flows seamlessly into the impact of Marcus' 1975 game-changing book, newly reissued (with lavish illustrations) by the Folio Society. Discussion of the book's chapters on Elvis Presley and The Band takes the RBP team back to Marcus' profound influence on British fans of American music. Rounding out the episode's American theme, these four horsemen of the rock apocalypse hear clips from Maureen Paton's 2005 phone interview with the ever-amusing Rufus Wainwright, who covers all the topics you might expect from him, following the release of his remarkable Want albums: addiction, AIDS, America and the Wainwright/McGarrigle clans. As per usual, Messrs. Pringle, Hoskyns & Murison-Bowie sift through some of the new library pieces that most intrigued them, including a Dawn James Rave interview with Small Face Steve Marriott from 1966; Michael Watts' underwhelmed Melody Maker response to Herbie Hancock's 1974 show at Carnegie Hall; Dave Thompson's fascinating 2004 Goldmine piece on the late Alan ('I Love Rock 'n Roll') Merrill's little-known Japanese glam band Vodka Collins; and, from 2006, a terrific Pete Paphides Times profile Gogol Bordello's Eugene Hütz… Pieces discussed: Lucinda Williams, Lucinder Williams, Lucindest Williams, Greil Marcus sees The Band, Greil on rock'n'roll, Greil in conversation with Andy Beckett, Rufus Wainwright audio, Small Faces, Why does nobody love the Beatles?, Herbie Hancock, The Beastie Boys, Samantha Fox, Andrew Loog Oldham, Vodka Collins, Teenage Fanclub, Gogol Bordello and Toro y Moi. This show is part of Pantheon Podcasts.