One of the most likable — and reliably good — actors in the business reflects on his child stardom, how he then experienced a dark decade before re-emerging as the industry’s go-to straight man in comedies and why it means so much to him to now be able to juggle acting and directing. But first: Booth Moore, THR’s Style & Fashion News Director, joins Scott to discuss the recent Met Gala, the ongoing Cannes Film Festival and the upcoming Royal Wedding, as well as Vogue's controversial new profile of Marchesa co-founder Georgina Chapman, aka Mrs. Harvey Weinstein.

The British actress, best known for playing Daenerys on TV's most acclaimed show, opens up about striking gold with and learning to navigate her first professional role, why she's sick of talking about her nude scenes, what led her to turn down 'Fifty Shades of Grey' but do 'Solo: A Star Wars Story,' plus more. But first: Stephen Galloway, THR's executive editor (features), joins Scott to discuss his recent article about Hollywood publicists and the period of upheaval currently impacting their community.

The first woman ever to host a late-night satire show reflects on her 12 years at Comedy Central's 'The Daily Show' (she was the longest-serving and first female correspondent), betting on herself by leaving that job for a show of her own at TBS (which won an Emmy in 2017) and what it's like making that show in the fast-changing and mind-blowing Trump era. But first: Seth Abramovitch, a senior writer at THR, joins Scott to discuss his new THR profile of Jeffrey Tambor, the Emmy-winning star of Amazon's'Transparent' who was recently fired from that show after being accused of sexual misconduct.

This powerhouse writer (the first black woman ever to win a comedy writing Emmy), actress ('Master of None' and 'Ready Player One') and creator/producer (Showtime's new series about Chicago's South Side) — who recently appeared on Vanity Fair's cover and was named by Time as one of the world's 100 most influential people — reflects on her upbringing, the importance of mentorship and the kaleidoscopic way her career has come together. But first: Natalie Jarvey, THR's digital media editor, joins Scott to discuss her cover story chronicling the rise of — and challenges facing — Hulu, the streaming service behind 'The Handmaid's Tale.'

The six-time Emmy nominee and two-time Critics' Choice Award winner reflects on why her agents fired her after she agreed to play Joan, how she feels about all the attention paid to her figure and why she decided to follow a period drama with a contemporary network dramedy.

The TV icon opens up about his debilitating dyslexia, overcoming it to land the part of 'The Fonz' on 'Happy Days' (and 'jumping the shark') and following 'Arrested Development' and 'Parks and Rec' with standout work on Bill Hader's new HBO dramedy. But first: David Rooney, THR's chief theatre critic, joins Scott to discuss the two-part shows that are the talk of Broadway, the return of Glenda Jackson and how the Tonys may acknowledge "The Boss."

The Golden Globe-nominated British beauty reflects on making her name in period pieces (and on 'Black Mirror'), playing one character in several projects over many years (Agent Peggy Carter of 'Captain America' fame) and the new project for which she's receiving the best reviews of her screen career (a four-part adaptation of E.M. Forster's most famous novel). But first: Rebecca Ford, THR's awards editor, joins Scott to discuss early and creative Emmy campaigning, Jimmy Kimmel vs. Sean Hannity and tough Emmy decisions facing HBO.

The model-turned-actress reflects on her big break ('Breaking Bad'), first starring role ('Don't Trust the B in Apt. 23') and experience playing a complex Marvel superhero on a Peabody Award-winning TV show that began exploring sexual misconduct and its impact on victims long before the Harvey Weinstein exposés. But first: Daniel Fienberg, THR's television critic and the president of the Television Critics Association, joins Scott to discuss what it's like to be a TV critic in the era of Peak TV, the shows you're not watching but really should be and the things about which critics and Emmy voters most and least agree.

The comic, podcast host and character actor reflects on the complex youth that led him to comedy; his rollercoaster career (he once contemplated suicide in the same garage to which a president later trekked to see him); and the Critics’ Choice and SAG award noms accorded his first major acting gig in which he's not playing a version of himself. But first: Lesley Goldberg, THR’s west coast TV editor, joins Scott to discuss the best of broadcast, pilot season and the Dodgers.

The creator, showrunner, producer, writer, director and Golden Globe-nominated star of Showtime's acclaimed new comedy series, which was largely inspired by the drama of her own experience as a young single mom, reflects on her blue-collar upbringing, accidental pregnancy at 24, move to Hollywood 11 weeks into it and years of personal and professional struggle that followed — until she took matters into her own hands by making, in 2015, a short film about her experiences that won an award at Sundance and paved the way to where she is today. But first: Michael O'Connell, THR’s senior writer on television, joins Scott to preview the 2018 Emmy season.

One of the most colorful characters in Hollywood history — he wrote, directed, produced and starred in what has been called "the 'Citizen Kane' of bad movies," which inspired 'The Disaster Artist' — opens up as never before about his life and work. But first: Matt Belloni, THR's editorial director, joins Scott to recap and dissect Sunday night's 90th Oscars.

The veteran character actor looks back on years of side-jobs and failed auditions, learning to make the most of parts of any size and landing the role of a lifetime — for which he is now favored to win the best supporting actor Oscar — in Martin McDonagh’s acclaimed dramedy. But first: Carolyn Giardina, THR’s tech editor, joins Scott to dissect — and predict — the technical Oscar categories.

Best known for his work as a director (he was half of the Merchant-Ivory team famous for its high-production-value literary adaptations), but poised to win his first Oscar for a screenplay (at 89, he'd be the oldest winner ever), he reflects on his late partner Ismail Merchant, his love of Italy and his two movies — 30 years apart — about young gay lovers. But first: Rebecca Ford, The Hollywood Reporter's awards editor, joins Scott to discuss BAFTA results, daunting stats for best picture Oscar nominees and the too-close-to-call best original song Oscar race.

One of the most recognizable and admired big screen character actors of the last 30 years reflects on decades of juggling experimental theater and films, his unconventional face and why he so often lands in edgy projects like the one for which he recently received his third Oscar nom. But first: Adam Irving, a filmmaker who received a best first documentary feature Critics' Choice Documentary Award nom for his 2016 directorial debut 'Off the Rails,' joins Scott to discuss this year's Oscar snubs of 'Jane' and 'Kedi,' doc Oscar theories of Adam Benzine and Bryan Glick and the power of Netflix in the awards sphere.

The youngest best actor Oscar nominee in 78 years — who is just 22 — reflects on the importance of his public school arts education, his early work on TV ('Homeland') and in films ('Interstellar') and the making — and crazy aftermath — of three massively acclaimed films released in 2017. But first: Roger Durling, the executive director of the Santa Barbara International Film Festival, joins Scott to discuss Santa Barbara's recovery from recent fires and mudslides, the fest's evolution during his 15 years on the job and highlights of the nominee-packed 33rd edition.

One of the top up-and-coming actresses in the business, who burst onto the scene in 2012 as Marnie on Lena Dunham’s HBO series 'Girls,' talks about emerging from her famous father's shadow, landing her breakout part despite her refusal to do on-screen nudity and holding out for years for the ideal debut film role until Jordan Peele's script came along — as a result of her starring role in NBC's 'Peter Pan Live!,' of all things — and she knew it was the one. But first: Matthew Belloni, The Hollywood Reporter's editorial director, joins Scott to discuss the nominations for the 90th Oscars, Fox Searchlight's awkward post-noms predicament, snubs of the streaming services, how #MeToo could shape the results and why we may be underestimating 'Get Out.'

The Oscar and Grammy winning composer, who has masterfully scored some 150 films, reflects on his musical influences; how he began combining instruments and technology to produce new sounds; why he nearly passed on projects for which he later produced iconic work, including 'The Lion King'; and what is at the heart of his 13-year collaboration with Christopher Nolan.

The newly-minted Golden Globe and Critics' Choice winner for best actress in a comedy series reflects on a childhood divided between acting and wrestling, her Emmy-nominated turn on Netflix's 'House of Cards' and landing the role of a lifetime — as a 1950s New York housewife-turned-standup comedian — on Amazon's new dramedy, which has resonated with women and men of all ages. But first: The Karlovy Vary International Film Festival's Krystof Mucha (executive director) and Karel Och (artistic director) join Scott to discuss the past, present and future of their annual gathering, which stands alongside Cannes, Venice and Berlin as one of Europe’s truly great film festivals.

The legendary actor of stage and screen, who made his film debut 60 years ago and, at 88, is still going strong, reflects on why he long felt that being angry and drunk were musts for an actor, why he has conflicted feelings about 'The Sound of Music' and what it was like reshooting all of Kevin Spacey's scenes in nine days for Ridley Scott. But first: Rachel Morrison, a 39-year-old cinematographer, joins Scott to discuss the dearth of female practitioners of her craft, how it feels to know that most people will see a Netflix-distributed film on a small screen and what it has been like making history this season — she became the first woman ever to win the best cinematography New York Film Critics Circle Award and the first woman ever to be nominated for the American Society of Cinematographers' top award, and could soon become the first woman ever to be nominated for the best cinematography Oscar.

The 45th vice president of the United States discusses why, after the 2000 presidential election, he decided to devote himself, body and soul, to the cause of raising awareness about the threat of climate change and promoting ways of combating it before it’s too late for our planet; how he wound up the subject of the Oscar-winning 2006 doc 'An Inconvenient Truth' and its sequel 11 years later; and why he thinks Donald Trump needs to resign immediately.

One of the all-time most beloved and respected film actors reflects on his tumultuous childhood and becoming a dad at 21; why, in the years after 'Big' made him a star, he grew tired of playing "pussies," and how he managed a remarkable career reinvention capped by Oscars in back-to-back years; and what it was like making a period piece about obstacles faced by women in the workplace and journalists standing up to a hostile president at a time when those issues are front and center again. But first: Bob Gazzale, the president and CEO of the American Film Institute, joins Scott to discuss the organization's 50-year history, its "all-time 100 greatest" lists and its recent AFI Awards ceremony honoring 2017's top 10 films and top 10 TV shows, as determined by AFI juries.

"The Queen of Hip-Hop Soul," whose first album was released 25 years ago, and who has since won nine Grammys encompassing R&B, rap, pop and gospel songs, reflects on the pain that preceded the music, the struggles with substances that nearly cost her everything and the attraction to acting that led her to the part of a 1940s wife and mother on a Mississippi plantation, for which she has received widespread acclaim. But first: Thomas Doherty, Brandeis University professor of American Studies and noted film scholar, joins Scott to discuss historical precedents for the sexual misconduct scandal engulfing Hollywood, the rise of political correctness on college campuses and his next book, 'Show Trial: Hollywood, HUAC and the Birth of the Blacklist,' due out April 10.

The VP of original documentary and comedy programming for the world's leading streaming service discusses how she came to the company when it was still in the DVD-by-mail biz, how docs and comedy have evolved since and the stories behind her most lauded projects — including four doc features ('Chasing Coral', 'Icarus', 'One of Us' and 'Strong Island') and two doc shorts ('Heroin(e)' and 'Ram Dass, Going Home') that have been Oscar-shortlisted this season. But first: Alison Brower, THR's deputy editorial director, joins Scott to discuss her path to journalism, her prior work at women's magazines and THR's coverage of President Trump and Hollywood's sexual misconduct scandal.

The dashing Oscar nominee looks back on 25 years in the biz, from kid parts ('City Slickers') to teen roles ('Donnie Darko') to his first grown-up characters ('Brokeback Mountain'); lessons learned from the flop of 'Prince of Persia: The Sands of Time'; and how recalibrating his approach led to a streak of great performances ('Source Code,' 'End of Watch,' 'Prisoners,' 'Nightcrawler,' 'Southpaw,' 'Nocturnal Animals' and 'Stronger'). But first: Lynne Segall, EVP and group publisher of The Hollywood Reporter and Billboard, joins Scott to discuss THR's history and brand, how awards season impacts ad sales and what it was like following Tichi Wilkerson and Katharine Graham into publishing when few other women were in positions of power in media.

One of the most powerful and influential people in the history of the music industry — a producer, A&R executive and record label chief who has been nicknamed "The Man with the Golden Ear" — reflects on his "epiphany" at the Monterey Pop Festival 50 years ago; discovering Janis Joplin, Bruce Sprinsteen and Whitney Houston, among many others; and how, at 85, he remains cool and in-tune with the culture. But first: Bryan Fogel, the director of the Oscar-shortlisted Netflix doc 'Icarus,' joins Scott to discuss how a movie about super-sizing himself morphed into an expose of Russian sports doping — and compelled the International Olympic Committee to ban Russia from the 2018 winter games in Pyeonchang.