Andy Ward, a former editor at Esquire and GQ, is the editorial director of nonfiction at Random House. "How you gain that trust is a hard thing to quantify. The way I try do it is by caring. If you don't care about every word and every sentence in the pi

Elizabeth Wurtzel is the author of four books, including Prozac Nation. "It's not that hard to be a lawyer. Any fool can be a lawyer. It's really hard to be a writer. You have to be born with incredible amounts of talent. Then you have to work hard. The

Gay Talese, who wrote for Esquire in the 1960s and currently contributes to The New Yorker, is the author of several books. His latest is A Writer's Life. "I want to know how people did what they did. And I want to know how that compares with how I did w

Jon Ronson, a contributor to This American Life, The Guardian and GQ, is the author of six books, including The Men Who Stare at Goats. His latest is Lost at Sea: The Jon Ronson Mysteries . "The older you get, you realize that no uncomfortable fact makes

Malcolm Gladwell is a staff writer at The New Yorker. His latest book is David and Goliath: Underdogs, Misfits, and the Art of Battling Giants . "The categories are in motion. You turn into a Goliath, then you topple because of your bigness. You fall to

Cord Jefferson is the West Coast Editor at Gawker. "I consider myself to be a sincere human being. And I think that the way the internet carries itself, the way the internet has dialogues, is often insincere. That concerns me. I don't ever want to lose m

Hamilton Morris is the science editor for Vice and a contributor to Harper's. "It's a shame that there isn't more of an interdisciplinary approach to a lot of scientific investigations, because often the result is that misinformation is produced. Again,

Nancy Jo Sales writes for Vanity Fair and is the author of The Bling Ring. "I'm a mom now, so my life's a little different. I can't do certain things that I used to do, and I won't, because they're dangerous or ridiculous or keep me out till five in the

Sarah Stillman is a staff writer for The New Yorker. "People don't really care about issues so much as they care about the stories and the characters that bring those issues to life. ... A story needs an engine or something to propel you forward and it c

Eli Saslow is a staff writer at the Washington Post and a contributor at ESPN the Magazine. It's not really my place to complain about it being hard for me to write. I wrote the story ("After Newtown Shooting, Mourning Parents Enter Into the Lonely Quiet

Joshuah Bearman is the co-founder of Epic Magazine and a freelance writer. His latest story is "Coronado High." "People who know me well will realize that parts of this story are actually about me. … It's about loss of innocence and getting to a certain

Amy Harmon, a Pulitzer Prize winner, covers science and society for the New York Times. "I'm not looking to expose science as problematic and I'm not looking to celebrate it. But it can be double edged. Genetic knowledge can certainly be double edged. Of

Sean Flynn is a GQ correspondent and National Magazine Award winner. "I find it satisfying to be able to give a voice to people that sort of get lost…You know, when these big horrible things happen, and the spotlight is very briefly on them, and then it

For the first time, Janet Reitman discusses her Rolling Stone cover story on accused Boston Marathon bomber Dzhokhar Tsarnaev. "My editors, myself, a lot of people who work for the magazine — we lived through an act of terrorism. We know what it feels li

Kelley Benham is a writer and editor at the Tampa Bay Times. "People connect with this story in a really visceral kind of way, usually because of some experience they've had or someone close to them has had. I've had 90-year-old women crying into my phon

Robert Kolker is the author of Lost Girls and a contributing editor at New York. "For better or for worse, my heart's not in the mystery. I want [the killer] to be caught—he's obviously a predator and he's unstable. But they all are. They're all messed u

Edith Zimmerman is the founding editor of The Hairpin and a contributing writer to The New York Times Magazine. "I never wrote anything myself or ran anything from other people that was needlessly negative. It wasn't some false grin plastered all over it

Brendan I. Koerner is a contributing editor at Wired and the author of The Skies Belong to Us. "It was this big review in The New York Times and I was terrified that it was going to say something awful about the book or about me as a writer. And my son s

Evan Ratliff, a co-host of the Longform Podcast, discusses "The Oilman's Daughter," his new story in The Atavist. "This woman was given the opportunity to take on a new identity. And it was a mistake. She never should've done it. If there was a way for h

Steve Kandell is the longfom editor at BuzzFeed. "What would be the sort of longer, narrative nonfiction, journalistic equivalent of something that would have the same effect on you as a bunch of cat GIFs? And not because it's cute, but it's the kind of

Nicholas Schmidle is a staff writer at The New Yorker. "I was in a taxi, leaving Karachi to go attend this festival, and we started getting these very disturbing phone calls from newspaper reporters that didn't exist, all of them asking me to meet them a

Chris Heath, winner of the 2013 National Magazine Award for Reporting, is a staff writer at GQ. "I present myself as someone who is going to be rigorous and honest. And if you can engage in the way I'm asking you to engage, then I hope you will recognize

Abrams covers the NBA for Grantland. "Players know that with the stories I do I'm not trying to burn anybody. I'm trying to tell a story for what it's worth and be honest to that person… That's one of my main goals, that you know why this person is [a ce

Margalit Fox is a senior obituary writer for The New York Times and the author of The Riddle of the Labyrinth: The Quest to Crack an Ancient Code. "You do get emotionally involved with people, even though as a journalist you're not supposed to. But as a

Mat Honan is a senior writer at Wired. "[The tech] industry — especially as it relates to a lot the silly apps and the silly websites and the silly shit that we put up with — is ridiculous. It's just such a hype fest, people living off of jargon and nons