Michael Lewis has written for The New Republic, Vanity Fair and The New York Times Magazine. His latest book is Flash Boys. "When you're telling a story, you're essentially playing the cards you're dealt. ... Sometimes the hand is very easy to play. Some

Susan Dominus is a staff writer at the New York Times Magazine. "A lot of reporting is really just hanging around and not going home until something interesting happens." Thanks to TinyLetter for sponsoring this week's episode. Show notes: @susando

Alice Gregory has written for n+1, GQ, The New York Times and Harper's. "If you don't have a real story with a beginning, middle and an end, you owe it to the reader to kind of serve as their chaperone." Thanks to TinyLetter and EA SPORTS FIFA WORLD CUP

Sam Biddle writes for Valleywag. "It's a lot of overgrown, entitled manchildren pulling price tags out of the ether and passing them around. Considering Silicon Valley worthy of contempt is the first premise that we work from." Thanks to TinyLetter for

Amanda Hess, a staff writer at Slate, has also written for Pacific Standard, GOOD, and ESPN the Magazine. "I ended up not loving the fact that I was getting a bunch of calls from MSNBC and CNN, who mostly wanted to talk about people threatening to rape a

Mattathias Schwartz has written for The New Yorker, The New York Times Magazine and Harper's. "I figure it's like digging through a wall with a spoon: if you spend enough time at it eventually you get to the other side." Thanks to TinyLetter and Audible

Tavi Gevinson is the founder and editor-in-chief of Rookie. "I just want our readers to know that they are already smart enough and cool enough." Thanks to this week's sponsors, TinyLetter and Atavist Books. Show notes: @tavitulle Rookie thestylero

Sabrina Rubin Erdely, a contributing editor at Rolling Stone, has also written for GQ, Philadelphia and SELF.  "I think that people are, by their nature, good and want to act rightly. So I'm very interested in why people do these things that result in re

"The kind of stories I've gotten to do have involved fulfilling my childhood fantasies of having an adventurous life. Even though I don't make a ton of money doing it, I've never felt like I was missing out on something." Our friend Matt Power, a freelan

Lawrence Wright, author of The Looming Tower and Going Clear, is a staff writer for The New Yorker. "If I had the chance to interview Osama Bin Laden, should I kill him? It’s a fair question. Suppose we’re having dinner — should I stab him with the bread

Pamela Colloff and Mimi Swartz are executive editors of Texas Monthly. Colloff: "That sense of loss, that sense of normal life turning on a dime is something that, in a very different way, I’ve experienced. And I carry that with me into some of the more

Jennifer Senior is a contributing editor at New York and the author of All Joy and No Fun: The Paradox of Modern Parenthood. "I've had moments in motherhood that have been close to something like religious. But I don't think social scientists say things

Kevin Roose, a writer at New York, has contributed to The New York Times, GQ and Esquire. His latest book is Young Money: Inside the Hidden World of Wall Street's Post-Crash Recruits. "Google will give you away. I feel like one undercover book is all you

Wil S. Hylton, a contributing writer for The New York Times Magazine, is the author of Vanished. "I despise the fucking nut graf. I think it's a joke, a cop out. The story probably should be about something larger than itself but if you have to tell peop

David Kushner, a contributing editor at Rolling Stone, has written for The New Yorker, Vanity Fair, Wired and The Atavist. "The minute you see an incredible character, you know. The only thing I can compare it to is bowling, not that I'm much of a bowler

Ariel Levy is a staff writer at The New Yorker. "I like an older awesome lady, I don't think enough is written about older awesome ladies and I don't think there are enough role models for younger awesome ladies. It’s great fun hanging out with an older

Dan P. Lee is a contributing writer at New York. "I don't believe in answers. That's what compels me to write all of these stories. None of them ends nicely, none of them ends neatly." Thanks to TinyLetter for sponsoring this week's episode. Show not

Roger D. Hodge is the editor of Oxford American. "My career isn't all that interesting insofar as I've been an editor. I'm much more interested in talking about writers and stories. That's the main thing: telling these stories, creating this platform, th

George Saunders has written for The New Yorker and GQ. His latest collection of short stories is Tenth of December. "Maybe you would understand your artistry to be: put me anywhere. I'll find human beings, I'll find human interest, I'll find literature.

Jon Mooallem, a contributing writer at The New York Times Magazine, is the author of Wild Ones and American Hippopotamus, the latest story from The Atavist. "I'm terrible at writing nut graphs. I never know why people should keep reading. That’s the mena

Joe Sexton is a senior editor at ProPublica and a former reporter and editor at the New York Times, where he led the team that produced "Snow Fall." "My experience in a newspaper newsroom over the years has been: The word you hear least often, the word t

Andrew Leland is an editor at The Believer and hosts The Organist. "I think a good editor has a strong stomach for crazy assholes. Because often crazy assholes are really brilliant great writers." Thanks to TinyLetter and Squarespace for sponsoring this

Jason Fagone, a contributing editor at Wired and a writer-at-large for Philadelphia, is the author of Ingenious. "It seemed like all the big guys in American society had let us down, all the elites. And here was a contest that was explicitly looking to t

Amy Wallace is an editor-at-large for Los Angeles and a correspondent for GQ . "I've written about the anti-vaccine movement. I love true crime. I've written a lot of murder stories. The thing that unites all of them—whether it's a celebrity profile or a

Rachel Aviv is a staff writer at The New Yorker. "If I'm writing about the criminal justice system, I wish I were a lawyer. If I'm writing about psychiatry, I wish I were a psychiatrist. I have often filled out half my application to get a Ph.D in clinic