David Grann is a staff writer at The New Yorker. His new book is Killers of the Flower Moon: The Osage Murders and the Birth of the FBI. “The more stories I reported over time, the more I just realized there are parts of the story I can’t always get to.

Alex Kotlowitz is a journalist whose work has appeared in print, radio, and film. He’s the author of three books, including There Are No Children Here: The Story of Two Boys Growing Up in the Other America. “The truth of the matter is, given what we do,

Brian Reed, a senior producer at This American Life, is the host of S-Town. “It’s a story about the remarkableness of what could be called an unremarkable life.” Thanks to MailChimp, Casper, and Squarespace for sponsoring this week's episode. @brihree

Hrishikesh Hirway is the host of Song Exploder. “I love the idea that somebody would listen to an episode [of Song Exploder] and then the feeling that they would have afterwards is, ‘Now I want to make something.’ That’s the best possible reaction. Wheth

Sheelah Kolhatkar is a staff writer at The New Yorker and the author of Black Edge: Inside Information, Dirty Money, and the Quest to Bring Down the Most Wanted Man on Wall Street. “Suddenly the financial crisis happened and all this stuff that had been

Al Baker is a crime reporter at The New York Times, where he writes the series “Murder in the 4-0.” “When there’s a murder in a public housing high rise, there’s a body on the floor. Jessica White in a playground, on a hot summer night. Her children saw

Caity Weaver is a staff writer at GQ. “I always try to remember: you don’t have to tell people what you’re not good at. You don’t have to remind them of what you’re not doing well or what your weak points are. Don’t apologize for things immediately. Alwa

Matthew Cole is an investigative reporter at The Intercept, where he recently published “The Crimes of Seal Team 6.” “I’ve gotten very polite and very impolite versions of ‘go fuck yourself.’ I used to have a little sheet of paper where I wrote down thos

Alexis C. Madrigal is an editor-at-large for Fusion, where he’s producing the upcoming podcast, Containers. “Sometimes you think like, 'Man the media business is the worst. This is so hard.' When you spend time with all these other business people, you p

Ana Marie Cox is the senior political correspondent for MTV News, conducts the “Talk” interviews in The New York Times Magazine, and founded Wonkette. “When people are sending me hate mail or threats, one defense I have against that is ‘you don’t know me

Brooke Gladstone is the host of On the Media. “I’ve learned so much about how easy it is to redefine reality in this era of billions of filter bubbles. How easy it is to cast doubt on what is undeniably true. And I think that that’s what frightens me the

Ezra Edelman is the director of O.J.: Made in America. “When I say what I learned is that America is even more fucked up than I had previously thought, it’s that—the superficiality of it. How we are willingly seduced by these shiny people and these shiny

Alexey Kovalev is a Moscow-based journalist and the author of the recent article, “A Message to My Doomed Colleagues in the American Media." “It’s really disheartening to see how little it takes for people to start believing in something that directly co

Jeff Sharlet writes about politics and religion for Esquire, GQ, New York Times Magazine, and more. “I like the stories with difficult people. I like the stories about people who are dismissed as monsters. I hate the term ‘monster.’ ‘Monster’ is a safe t

Jace Clayton is a music writer and musician who records as DJ /rupture. His book is Uproot: Travels in 21st-Century Music and Digital Culture. “What does it mean to be young and have some sound inside your head? Or to be in a scene that you want to broad

Terry Gross is the host and co-executive producer of Fresh Air. “Part of my philosophy of life is that you have to live with a certain amount of delusion. And part of the delusion I live with is that maybe, from experience, I’m getting a little bit bette

Ta-Nehisi Coates is the author of Between the World and Me and a national correspondent for The Atlantic. His latest cover story is “My President Was Black." “[People] have come to see me as somebody with answers, but I don’t actually have answers. I’ve

Hua Hsu writes for The New Yorker and is the author of A Floating Chinaman: Fantasy and Failure Across the Pacific. “I remember, as a kid, my dad telling me that when he moved to the United States he subscribed to The New Yorker, and then he canceled it

Carl Zimmer, a columnist for the New York Times and a national correspondent at STAT, writes about science. “[Criticism] doesn’t change the truth. You know? Global warming is still happening. Vaccines still work. Evolution is still true. No matter what s

Wesley Lowery is a national reporter at the Washington Post, where he worked on the Pulitzer-winning project, "Fatal Force." His new book is They Can’t Kill Us All: Ferguson, Baltimore, and a New Era in America’s Racial Justice Movement. “I think that we

Adam Moss is the editor of New York Magazine. “I think [change] is good for journalism—it’s what journalism is about. You can’t write about something static. News is about what is new. So there’s plenty of new right now. I’m not saying it’s good for the

Kyle Chayka is a freelance writer who writes for Businessweek, The Verge, Racked, The New Yorker, and more. “I love that idea of form and content being the same. I want to write about lifestyle in a lifestyle magazine. I want to critique technology in th

Susan Casey is the former editor of O and the author of three New York Times bestselling books. Her latest is Voices in the Ocean: A Journey into the Wild and Haunting World of Dolphins. “The funny thing is people often say, ‘You must be fearless.’ I’m a

Wesley Morris is a critic at large for The New York Times, a staff writer for The New York Times Magazine, and the co-host of Still Processing. His latest article is "Last Taboo: Why Pop Culture Just Can’t Deal With Black Male Sexuality." “You learn a lo

Doreen St. Félix is a writer at MTV News. “It feels like there are images of black utopias that are arising. And you can’t—even if you’re not as superstitious as me—you can’t possibly think that that doesn’t have to do with the decline, the final, to me,