Russell Rickford is an assistant professor of history at Cornell University. We Are an African People: Independent Education, Black Power and the Radical Imagination (Oxford University Press, 2016) offers an intellectual history of the Pan African nati...

Dr. Jon Hale, Assistant Professor of Educational History, Department of Teacher Education, College of Charleston, joins the New Books Network to discuss his new book, entitled The Freedom Schools: Student Activists in the Mississippi Civil Rights Movem...

The struggle for representation within the art museum is the focus of a timely and important new book by Susan Cahan, Associate Dean for the Arts at Yale College. Mounting Frustration: The Art Museum in the Age of Black Power (Duke University Press,

April R. Haynes is an assistant professor of history at the University of Wisconsin-Madison. In Riotous Flesh: Women, Physiology, and the Solitary Vice in Nineteenth- Century America (University of Chicago Press,

Is it possible to lay claim to ownership of a dance? Is choreography intellectual property? How have shifting conceptions of race and gender shaped the way we think of dance, property and ownership? In Choreographing Copyright: Race,

What’s missing from contemporary discussions of aesthetics and representation within the natural hair movement? Bert Ashe generously offers a response in Twisted: My Dreadlock Chronicles, an unprecedented account of black male identity as seen through ...

Few composers dominate a genre of music as completely as did Scott Joplin. From the publication of his iconic Maple Leaf Rag in 1899 onward his ragtime compositions came to serve as the soundtrack of his age.

In his 1948 essay, “Harlem is Nowhere,” Ralph Ellison decried the psychological disparity between formal equality and discrimination faced by Blacks after the Great Migration as leaving “even the most balanced Negro open to anxiety.

The dialectical configuration of black inclusion/Chinese exclusion is at the center of Edlie Wong‘s book Racial Reconstruction: Black Inclusion, Chinese Exclusion, and the Fictions of Citizenship (New York University Press, 2015).

Most scholars of popular music use songs, artists, and clubs as the key texts and sites in their exploration of the social, cultural, political, and economic effects of music. Laurent Dubois‘ new book looks at the history of an instrument, the banjo,

How are cultural practices that suggest social inclusion at the root of marginalizing social suffering? In The Post-Racial Limits of Memorialization: Towards a Political Sense of Mourning (Lexington Books, 2015), Alfred Frankowski,

Jazz is often dubbed the greatest American original art form. This claim might be difficult to contend. But a close exploration of the folks who created, listened, and participated in jazz environments can also tell us lot about the religious history o...

Jonathon S. Kahn is an associate professor of religion at Vassar College. He is co-editor with Vincent W. Lloyd of a collection of essays entitled Race and Secularism in America (Columbia University Press, 2016).

Betina Cutaia Wilkinson is the author of Partners or Rivals? Power and Latino, Black, and White Relations in the Twenty-First Century (University of Virginia Press 2015). Wilkinson is assistant professor of politics and international affairs at Wake Fo...

Lester K. Spence is the author of Knocking the Hustle: Against the Neoliberal Turn in Black Politics (Punctum Books, 2016). Spence is associate professor of political science and Africana Studies at Johns Hopkins University. In Knocking the Hustle,

Is there a figure in sports more admired and beloved than Muhammad Ali? Widely revered not only as one of boxing’s greatest champions but also as one of the rare athletes to speak out on political issues, Ali holds a place at the pinnacle of sports her...

Few social justice struggles have captivated recent political history like the broad Black Lives Matter movement. From the streets of Ferguson and Baltimore to campaign rally interruptions of leading politicians,

While black men have been portrayed in film for over a hundred years, they have often been stereotyped or portrayed very badly. In her book Black Hollywood: From Butlers to Superheroes, the Changing Role of African American Men in the Movies (Praeger,

Steve Phillips is the author of Brown is the New White: How the Demographic Revolution Has Created a New American Majority (The New Press, 2016). Phillips is a senior fellow at the Center for American Progress. Several weeks ago,

This terrific book follows the itinerary of Eric Walrond’s peripatetic life. Born in Guyana in 1898, Walrond lived in Barbados, Panama, New York, Paris, London. As a writer and sharp observer of those around him,

George Whitefield was a complex man driven by a simple idea, the new birth that brought salvation. Because of such passion, Whitefield received both enthusiastic support, preaching to audiences numbering in the thousands,

Is hip hop defined by its artists or by its audience? In Home With Hip Hop Feminism, Aisha Durham returns hip hop scholarship to its roots by engaging in an ethnographic and autoethnographic approach to studying hip hop.

In this podcast I talk with Eric Foner, DeWitt Clinton Professor of History at Columbia University about his book, Gateway to Freedom: The Hidden History of the Underground Railroad (W. W. Norton & Company, 2015). Per the book jacket,

What does it mean to be free? How can paying attention to the relationship between freedom and slavery help construct a concept and practice of freedom that is “perpetual, unfinished, and rooted in acts of flight” (181)?

In Suffer the Little Children: Uses of the Past in Jewish and African American Children’s Literature (New York University Press, 2013), Jodi Eichler-Levine, associate professor of Religion Studies and Berman Professor of Jewish Civilization at Lehigh U...