The remarkable story of Henry Ossian Flipper, a young man born into slavery on the eve of the Civil War, and his struggle for recognition left its mark on our nations history. Through extensive research of military documents, court records, appeals,

Runaway slave Sojourner Truth gained fame in the nineteenth century as an abolitionist, feminist, and orator and earned a living partly by selling photographic carte de visite portraits of herself at lectures and by mail. Cartes de visite,

The 2016 election cycle will be remembered as one for the history books. Many people are left asking questions as to what happened to lead to such an expected outcome, while still others are left wondering after such a tumultuous and divisive campaign ...

Why is it controversial to cast light-skinned actress Zoe Saldana as the lead character in a film about the performer Nina Simone? How should we understand the coexisting desire and revulsion of the black body that traces its roots to Thomas Jefferson’...

Now in its fifth printing of a very short life, Ashaki Jackson’s Surveillance examines the relationship between acts of violence, the witnessing of violence, the witnessing of the witnessing of violence, and the internalization of all three.

Patrick Moynihan’s Report on the Negro Family was a seminal document in Great Society-era racial politics and public policy. Join us as we talk with Susan Greenbaum about her new book, Blaming the Poor: The Long Shadow of the Moynihan Report on Cruel I...

LaShawn Harris is an assistant professor of history at Michigan State University. Sex Workers, Psychics and Number Runners: Black Women in New York City’s Underground Economy, (University of Illinois Press,

In his new book The Defender: How The Legendary Black Newspaper Changed America (Houghton Mifflin Harcourt, 2016), Ethan Michaeli charts the riveting history of the Chicago Defender, one of the nation’s longest running and most significant black period...

Savage Portrayals: Race, Media, and the Central Park Jogger Story (Temple University Press, 2014) offers a timely reminder of how racial bias and prejudice continue to shape political perspectives and dominant media narratives.

Dr. Damien M. Sojoyner, Assistant Professor of Anthropology at the University of California, Irvine, joins the New Books Network to discuss his recently published book, entitled First Strike: Educational Enclosures in Black Los Angeles (University of M...

Thomas Aiello is associate professor of history and African American studies at Valdosta State University. In The Battle for the Souls of Black Folk: W.E.B. Du Bois, Booker T. Washington, and the Debate that Shaped the Course of Civil Rights (ABC-CLIO,...

In Just Around Midnight: Rock and Roll and the Racial Imagination (Harvard University Press, 2016), Jack Hamilton examines major American and British recording artists of the 1960s to explain what happened during the decade to turn rock-n-roll white.

Elizabeth Reich is an assistant professor of film studies at Connecticut College in New London. Militant Visions: Black Soldiers, Internationalism, and the Transformation of American Cinema (Rutgers University Press, 2016) examines how,

Eric Gardner’s new study Black Print Unbound: the Christian Recorder, African American Literature, and Periodical Culture (Oxford University Press, 2015) explores the development and voice of the Christian Recorder during the years leading up to and im...

Marisa J. Fuentes’, Dispossessed Lives: Enslaved Women, Violence and the Archive (University of Pennsylvania Press, 2016) is an important new book that challenges historians to think more carefully about the methods and categories with which they have ...

Ibram X. Kendi is an assistant professor of African American history at the University of Florida. Stamped from the Beginning: The Definitive History of Racist Ideas in America (Nation Books, 2016) offers a fast moving narrative of racist ideas beginni...

“Anyone can make a difference. Find a problem, get some friends together, and go fix it. Remember you don’t have to change the world, just change your world.” –Joan Trumpauer Mulholland In the early 1960s, in the segregated South, a white teenager,

Carol McCabe Booker is a Washington, D.C. attorney and former journalist. In the 1960s and 70s, she covered civil rights for the Voice of America, freelanced articles for The Washington Post, Readers Digest, Ebony, Jet, and Black Stars,

In the decades leading up to the Civil War, antebellum African Americans elites turned to the newspaper as a means of translating their belief in black “chosenness” into programs for black liberation. Benjamin Fagan’s The Black Newspaper and the Chosen...

Russell Rickford is an assistant professor of history at Cornell University. We Are an African People: Independent Education, Black Power and the Radical Imagination (Oxford University Press, 2016) offers an intellectual history of the Pan African nati...

Dr. Jon Hale, Assistant Professor of Educational History, Department of Teacher Education, College of Charleston, joins the New Books Network to discuss his new book, entitled The Freedom Schools: Student Activists in the Mississippi Civil Rights Movem...

The struggle for representation within the art museum is the focus of a timely and important new book by Susan Cahan, Associate Dean for the Arts at Yale College. Mounting Frustration: The Art Museum in the Age of Black Power (Duke University Press,

April R. Haynes is an assistant professor of history at the University of Wisconsin-Madison. In Riotous Flesh: Women, Physiology, and the Solitary Vice in Nineteenth- Century America (University of Chicago Press,

Is it possible to lay claim to ownership of a dance? Is choreography intellectual property? How have shifting conceptions of race and gender shaped the way we think of dance, property and ownership? In Choreographing Copyright: Race,

What’s missing from contemporary discussions of aesthetics and representation within the natural hair movement? Bert Ashe generously offers a response in Twisted: My Dreadlock Chronicles, an unprecedented account of black male identity as seen through ...