In Afro-Atlantic Flight: Speculative Returns and the Black Fantastic (Duke University Press, 2017), Michelle D. Commander examines the (im)possibility of literal and figurative returns to Africa of African-descended peoples throughout the diaspora.

One often hears stories of World War II and Korean War veterans who came back from the war and refused to talk about what they had experienced in combat. They neither wanted folks at home to know what had happened nor did they want to relive it themsel...

Michael Muhammed Knight writes this book from a first-person perspective, as a piece of creative non-fiction. The book includes a liberal amount of swearing and sexual references, and Knight’s writing style is raw, sometimes jarring,

Over the course of a long and adventurous life, Henry Alsberg was guided by the constancy of his passion for radical causes. This focus, as Susan Rubenstein DeMasi makes clear in Henry Alsberg: The Driving Force Behind the New Deal Federal Writers’ Pro...

Sarah Ruden holds a Ph.D. in Classical Philology from Harvard University and an M.A. from the Johns Hopkins Writing Seminars. She has taught Latin, English, and writing at Harvard, Yale, and the University of Cape Town and has been a tutor for the Sout...

Traversing the archives of early African American literature, performance, and visual culture, Fugitive Science: Empiricism and Freedom in Early African American Culture (New York University Press, 2017), uncovers the dynamic experiments of a group of ...

“Boxing has always attracted writers because it issues a standing challenge to their powers of description and imagination, and also a warning–really a promise–that no matter how many layers of meaning you peel away there will always be others beneath ...

On this program, we talk to Sarah Ruden about her new book, The Face of Water: A Translator on Beauty and Meaning in the Bible (Pantheon, 2017). Novelist J. M. Coetzee praised the book, saying, “If you seriously want to know what the Bible says but don...

Roy Bing Chan‘s new book explores twentieth-century Chinese literature that emphasizes sleeping and dreaming as a way to reckon with the trauma of modernity, from the early May Fourth period through the end of the Cultural Revolution in the late 1970s....

As our name makes clear, the New Books Network focuses on books. And as a host who looks at contemporary literature, I have the pleasure of interviewing authors with new books, ones often published by smaller presses without the huge PR machines of lar...

In The Last Rabbi: Joseph Soloveitchik and Talmudic Tradition (Indiana University Press, 2016), William Kolbrener, professor of English at Bar Ilan University in Israel, explores the life and thought of Joseph Soloveitchik,

What is a book? The answer, at first glance, may seem apparent: printed material consisting of a certain amount of pages. However, when a printed item goes under the scrutiny of readers, writers, editors, scholars, etc.,

Rebecca Gould‘s Writers and Rebels: Literature of Insurgency in the Caucasus (Yale University Press, 2016) is the first existing comparative study of Chechen, Dagestani and Georgian literatures and a major contribution to the study of the cultures of t...

Benjamin Fondane, a Franco-Romanian writer and contributor to the development of existential philosophy in the 1930s and 40s, is in the process of being rediscovered. His work has gained a new relevance in the contemporary period due in part to the way...

Contemporary scholarship on the Mughal empire has generally ignored the role Sanskrit played in imperial political and literary projects. However, in Culture of Encounters: Sanskrit at the Mughal Court (Columbia University Press, 2016),

Who’s the black private dick That’s a sex machine to all the chicks? (Shaft) Ya damn right Who is the man that would risk his neck For his brother man? (Shaft) Can you dig it? Who’s the cat that won’t cop out When there’s danger all about?

Carrie J. Preston‘s new book tells the story of the global circulation of noh-inspired performances, paying careful attention to the ways these performances inspired twentieth-century drama, poetry, modern dance, film, and popular entertainment.

The Study Quran: A New Translation and Commentary (HarperOne, 2015) represents years of effort from a team of dedicated translators and editors (Seyyed Hossein Nasr, Joseph Lumbard, Maria Dakake, Caner Dagli, and Mohammad Rustom).

Henry and Emily Folger were linked together not just by their love for one another, but their shared passion for the works of William Shakespeare. In Collecting Shakespeare: The Story of Henry and Emily Folger (Johns Hopkins University Press, 2014),

Reading Laurence Rickels‘ The Psycho Records (Wallflower Press, 2016) gave me the urge to ask random strangers questions like: Are you haunted by Alfred Hitchcock’s famous shower scene? How do you feel about Norman Bates and other cinematic killers pat...

In Broken Tablets: Levinas, Derrida, and the Literary Afterlife of Religion (Columbia University Press, 2016), Sarah Hammerschlag, Associate Professor of Religion and Literature at the University of Chicago Divinity School,

There’s a common myth about the history of comic books and strips. It’s the idea that the medium languished for decades as a sort of time-wasting hobby for children, but now has redeemed itself and can be appreciated even by the literary.

Socialist Fun: Youth, Consumption, and State-Sponsored Popular Culture in the Soviet Union, 1945-1970 (University of Pittsburgh Press, 2016) offers a compelling investigation of Soviet leisure culture. Gleb Tsipursky undertakes an unexpected approach t...

Meredith K. Ray’s new book contextualizes and translates a range of seventeenth-century letters, mostly between Margherita Sarrocchi (1560-1617) and Galileo Galilei (1564-1642), that collectively offer a fascinating window into the correspondence of tw...

The BBC radio program “Caribbean Voices” aired for fifteen years and introduced writers like George Lamming, Louise Bennett, Sam Selvon and others to listeners on both sides of the Atlantic. Glyne Griffith’s The BBC and the Development of Anglophone Ca...