Wayne Federman returns to discuss Stewart’s chart-topping album that broke-out his solo career.

W. Kamau Bell makes his debut on The 500 to talk about virtuoso Todd Rundgren’s album that started his cult following.

”A Complete Unknown” Actor Dan Fogler makes his debut on The 500 to discuss Dylan’s seventeenth album

Wayne Federman returns to discuss Karen Carpenter’s iconic voice and the two pillar tracks of the album, Close To You and We’ve Only Just Begun.

Aerosmith’s impact on the next generation of rock stars was solidified with their 1976 album “Rocks”. Sebastian Bach stops by to talk about the band that inspired both hard rock and hard-partying ways.

Wayne Federman returns to The 500 to discuss the Funkadelic album that was more progressive, both in the musical and social themes than George Clinton’s previous releases.

Comedian Godfrey returns to The 500 to talk about the Rock ‘N Roll Hall of Fame careers of Curtis Mayfield & The Impressions, and their impact during the Civil Rights movement

Liza Treyger returns to The 500 to talk about one of the greatest collections of pop music from the late 1970s and early 1980s.

Friend of The 500 Wayne Federman returns to the podcast for his first discussion about Mick Jagger, Keith Richards, and their 1965 release “The Rolling Stones, Now”

Maz Jabroni joins The 500 for the first time to discuss the first major Bob Marley release without Peter Tosh & Bunny Livingston.

Dane Cook makes his first appearance on the The 500 to discuss Stevie Nicks and Lindsay Buckingham’s first album with Fleetwood Mac.

Andy Richter makes his debut on The 500 to discuss the Willie Nelson album that cemented his outlaw image and gave Willie his nickname.

Kathy Griffin makes her debut to talk about one of the most influential music artists of the 1980s and the best-selling compilation album of all time.

Friend of The 500 Wayne Federman stops by to discuss The Stooges 1969 self-titled debut album, which was an attempt to give The Rolling Stones sound a garage rock feel.

Speech of hip-hop group Arrested Development makes his debut appearance on The 500 to discuss the impact Sly & The Family’s final Top 10 album had on his musical development.

Thomas Lennon makes his debut on The 500 to discuss Peter Gabriel’s most solo successful release after his time with Genesis, 1987’s “So”.

Adam Ferrara makes his third appearance on The 500 to discuss Buffalo Springfield’s second album, Buffalo Springfield Again, which was the beginning of the end for the band.

Wayne Federman & Morty Coyle check in to talk about one of the forgotten San Francisco Bands from the 1960s, Quicksilver Messenger Service and their second album Happy Trails.

Josh Wolf makes his second appearance on The 500 to discuss “From Elvis In Memphis” the live album that helped put Elvis back on the map in the 1970s.

Greg Fitzsimmons makes his second appearance on The 500 to discuss one of the albums that provided the foundation for punk rock, Fun House.

Kenny Wayne Shepherd returns to The 500 with Wayne Federman to discuss The Flying Burritos Brothers album, which laid the foundation for rock and country music fusion.

Comedian Jordan Jensen dives into the rebellious angst and pop-punk anthems of Green Day's 1994 album Dookie

Penn Jillette makes his debut on The 500 to talk about Lou Reed’s second studio album, Transformer, as well as his Velvet Underground career.

Guitar Virtuoso Joe Bonamassa and Wayne Federman return for another episode, this week to talk about John Mayall and Eric Clapton’s 1966 British Blues release.