Kathy Griffin makes her debut to talk about one of the most influential music artists of the 1980s and the best-selling compilation album of all time.

Friend of The 500 Wayne Federman stops by to discuss The Stooges 1969 self-titled debut album, which was an attempt to give The Rolling Stones sound a garage rock feel.

Speech of hip-hop group Arrested Development makes his debut appearance on The 500 to discuss the impact Sly & The Family’s final Top 10 album had on his musical development.

Thomas Lennon makes his debut on The 500 to discuss Peter Gabriel’s most solo successful release after his time with Genesis, 1987’s “So”.

Adam Ferrara makes his third appearance on The 500 to discuss Buffalo Springfield’s second album, Buffalo Springfield Again, which was the beginning of the end for the band.

Wayne Federman & Morty Coyle check in to talk about one of the forgotten San Francisco Bands from the 1960s, Quicksilver Messenger Service and their second album Happy Trails.

Josh Wolf makes his second appearance on The 500 to discuss “From Elvis In Memphis” the live album that helped put Elvis back on the map in the 1970s.

Greg Fitzsimmons makes his second appearance on The 500 to discuss one of the albums that provided the foundation for punk rock, Fun House.

Kenny Wayne Shepherd returns to The 500 with Wayne Federman to discuss The Flying Burritos Brothers album, which laid the foundation for rock and country music fusion.

Comedian Jordan Jensen dives into the rebellious angst and pop-punk anthems of Green Day's 1994 album Dookie

Penn Jillette makes his debut on The 500 to talk about Lou Reed’s second studio album, Transformer, as well as his Velvet Underground career.

Guitar Virtuoso Joe Bonamassa and Wayne Federman return for another episode, this week to talk about John Mayall and Eric Clapton’s 1966 British Blues release.

Legendary producer, writer and guitarist Lenny Kaye joins The 500 to discuss the compilation album of psych rock he put together in the early 1970s. Morty Coyle also joins Josh as a special guest.

Adam Pally makes his debut on The 500 to talk about R.E.M.’s debut, Murmur, and whether they should be considered one of the great American Rock bands.

James Adomian returns to The 500 to form a hand harmonica band with Josh and to discuss one of the best harmonica players ever, Little Walter.

Paul Scheer makes his first appearance on The 500 to talk about The Strokes 2001 debut album and how it represents New York City from that time, Is This It.

Bill Burr returns for his third appearance on The 500 to talk about hard rock legends and his favorite band of all-time, AC/DC. 1979’s Highway To Hell is their final album with singer Bon Scott.

Sean Patton makes his debut on The 500 to talk about the album that marked the beginning of Trent Reznor’s real-life descent into depression and addiction, 1994’s “The Downward Spiral” album.

Wendy Liebman makes her first appearance on The 500 to talk about Simon & Garfunkel's second appearance - Parsley, Sage, Rosemary & Thyme

Comedian & Actor Donnell Rawlings makes his first appearance to talk about the follow-up to Michael Jackson's landmark "Thriller" album, 1987's "Bad"

Comedian and master impersonator James Austin Johnson busts out his best poetic mumbling to better embody rock icon Bob Dylan's 2006 album Modern Times.

Cream was one of the earliest "supergroups", featuring Eric Clapton, Jack Bruce, and Ginger Baker. Wheels of Fire is their third release, and friend of The 500 Wayne Federman stops by to discuss one of his favorite albums of all time.

Prince's first two albums painted him as more of a romantic, but his dirty and funky side came through in full force on 1980's "Dirty Mind". Comedian Ali Siddiq discusses how Prince was in a class of his own in many ways.

Santana's 1970 release Abraxas has long been a fixture in the life of Comedian & Actor Frankie Quinones to the point where he has the album cover tattooed on him. Find out why in Episode 207.

Comedian Paula Poundstone's love for Cat Stevens came during her teenage years with the album "Tea For The Tillerman", and dives into the tracks she loves most from Stevens' fourth album.