Comedian Shapel Lacey follows the lead of one his biggest musical influences Buzzcocks by defying expectations and building an identity just as unique as the band's 1979 compilation Singles Going Steady.

Comedian Jay Pharoah borrows from both ends of the hip-hop spectrum represented by Atlanta rappers OutKast and their 2000 release Stankonia while building his comedic persona.

Comedian Megan Gailey resurrects a simpler era when kids were kids and rock stars were sad by listening fondly once again to The Smashing Pumpkins' 1993 album Siamese Dream.

Comedian Shane Torres gets into the perfect headspace to perform by listening to British post-punkers New Order's 1987 compilation album Substance 1987.

Actor and comedian David Koechner finds so much meaning and mystery in American blues rock band The Doors' 1971 album L.A. Woman he can recite it verse for verse.

Comedian Shane Gillis gets pumped to thrash along with rap rock icons Rage Against the Machine and their 1992 self-titled debut album.

Comedian Jeff Ross returns to talk about how the outlaw persona Johnny Cash maintained throughout his career, up to and including 1994's American Recordings, helped pave the way to Jeff performing for people in prison.

Comedian and writer Bonnie McFarlane shows exactly why superstars like pop music icon Madonna and her 1998 album Ray of Light will always be relevant.

Comedian Jessica Kirson harks back to a simpler time when Eagles 1972 debut album Eagles was all the smooth Americana anyone ever needed.

Actor Michael Rosenbaum submits to the genderless sadness of English post-punkers The Smiths and their 1987 compilation album Louder Than Bombs.

Def Leppard lead singer Joe Elliott heaps praise upon his boyhood rock heroes Mott the Hoople and their 1973 album Mott.

Comedian Dan Soder returns to lend his audiophile approval to indie rock darlings Arctic Monkeys and their 2006 debut album Whatever People Say I Am, That's What I'm Not.

Comedian, writer and director David Wain bops along to the hip and smart pop rock of The Police's 1979 sophomore album Reggatta de Blanc.

Comedian and actress Liza Treyger digs the cosmic vibes put forth by psychedelic rockers Jefferson Airplane in their 1969 album Volunteers.

Jane's Addiction drummer Stephen Perkins draws heavy inspiration from the amalgamation of unique personalities in glam rockers Roxy Music, which all shine through in their 1975 album Siren.

Comedian, writer and actor Jeff Garlin finds truth and beauty in the fantastic folk rock of Jackson Browne's 1974 album Late For The Sky.

Comedian Kurt Braunohler flashbacks to 1995 when he took in heavy doses of art pop icon Björk through her sophomore album Post.

Comedian and actor Tommy Davidson delves deep into the roots of America's culture through the lens of some of its earliest hits: the classic blues of John Lee Hooker's The Ultimate Collection: 1948-1990.

Comedians Jim Jefferies and Steve Byrne bond over their mutual adoration for British rock band Oasis and their iconic 1995 album (What's The Story) Morning Glory?

Comedian Yamaneika Saunders represents hard for R&B trio TLC and their soulful, sensual and serious sophomore album: 1994's CrazySexyCool.

Comedian Ian Edwards is transported back to his childhood home by the soulful reggae of genre pioneers Toots & The Maytals's 1973 album Funky Kingston.

Comedian Daniel Van Kirk grooves with the good universal vibrations given off by the psychedelic pop of The Beach Boys most highly anticipated and downright strange album: 2011's The Smile Sessions.

Former Wax frontman and current stand up comedian Joe Sib returns to show proper respect to the punk rock godfathers The Modern Lovers and their self-titled 1976 debut album.

Talking Heads keyboardist-turned-record producer Jerry Harrison recalls the many memories made during the making of the American New Wave band's 1978 sophomore album More Songs About Buildings and Food.

Music critic and writer David Wild harnesses his considerable knowledge of power pop pioneers The Who in addition to mining his own personal experience with the band all as part of a deep exploration of their 1966 sophomore release A Quick One.