The Next Picture Show
Looking at cinema's present via its past. The Next Picture Show is a biweekly roundtable by the former editorial team of The Dissolve examining how classic films inspire and inform modern movies. Episodes take a deep dive into a classic film and its legacy in the first half, then compare and contrast that film with a modern successor in the second. Hosted and produced by Genevieve Koski, Keith Phipps, Tasha Robinson and Scott Tobias.
426
#031: (Pt. 1) This Is Spinal Tap / Popstar: Nev...
Inspired by the new Lonely Island feature mockumentary POPSTAR: NEVER STOP NEVER STOPPING, we look back at the grandaddy of mock-rock-docs: Rob Reiner's THIS IS SPINAL TAP, which helped set the template for modern comedy in more ways than one.
51 min
427
#030: (Pt. 2) L.A. Confidential / The Nice Guys
We bring our discussion of L.A. noir into the modern era by connecting L.A. CONFIDENTIAL with the slick new buddy action-comedy from Shane Black, THE NICE GUYS.
62 min
428
#029: (Pt. 1) L.A. Confidential / The Nice Guys
This week's pairing brings us into the twisted world of L.A. noir, courtesy of two period pieces that follow byzantine plots to the depths of human depravity. Inspired by Shane Black's new THE NICE GUYS, we're revisiting Curtis Hanson's L.A. CONFIDENTIAL.
48 min
429
#028: Iron Man / Captain America: Civil War (Pt...
We return again to the Marvel Cinematic Universe to see how the armor-plated seed planted in IRON MAN has blossomed into the sprawling new CAPTAIN AMERICA: CIVIL WAR. We discuss how the newer movie carries its added weight, and compare how the two films -
64 min
430
#027: Iron Man / Captain America: Civil War (Pt...
This week, The Next Picture Show is going full-on superhero. Inspired by the Marvel Cinematic Universe's latest offering, CAPTAIN AMERICA: CIVIL WAR, we look back at the movie that serves as the Big Bang for the MCU: 2008's IRON MAN. This half of the disc
50 min
431
#026: Assualt On Precinct 13 (1976) / Green Roo...
In this half of our ASSAULT ON PRECINCT 13/GREEN ROOM discussion, we bring Jeremy Saulnier's chill-inducing new thriller into the picture, and consider the many ways in which it reflects John Carpenter's earlier work. The two films have a lot to say about
53 min
432
#025: Assault On Precinct 13 (1976) / Green Roo...
As John Carpenter fans, we were excited to see director Jeremy Saulnier citing Carpenter's ASSAULT ON PRECINCT 13 as a specific influence on his excellent new film GREEN ROOM. Watching the two movies together, it’s hard to miss the connections: Both fea
49 min
433
#024: Close Encounters Of The Third Kind / Midn...
Our CLOSE ENCOUNTERS/MIDNIGHT SPECIAL discussion turns toward the newer film, and the ways it reflects its Spielbergian inspiration – and the many more ways it diverts from the earlier film. We'll talk over how the two films explore spirituality and mys
53 min
434
#023: Close Encounters of the Third Kind / Midn...
Director Jeff Nichols cited the 1977 Steven Spielberg classic CLOSE ENCOUNTERS OF THE THIRD KIND as one of his primary inspirations for the new MIDNIGHT SPECIAL. But while the two films work toward a similar ending, they don't necessarily work toward the
52 min
435
#022: Psycho (1960) / 10 Cloverfield Lane (Pt. 2)
Our PSYCHO/10 CLOVERFIELD LANE discussion brings the newer film into the picture, grappling with how the Dan Trachtenberg-directed/JJ Abrams-produced psuedo-sequel echoes Hitchcock's film both deliberately and accidentally. We'll talk over how the two fil
61 min
436
#021: Psycho (1960) / 10 Cloverfield Lane (Pt. 1)
Two women skip town in a hurry and find themselves in an isolated place, overseen by a gentle-toned but temperamental host: You might think us mad to compare PSYCHO and 10 CLOVERFIELD LANE, but we all go a little mad sometimes. There's more than just the
52 min
437
#020: MASH / Whiskey Tango Foxtrot (Pt. 2)
Our MASH - WHISKEY TANGO FOXTROT discussion digs deeper into the two films' many contrasts, finding unexpected connections in the films' depictions of the military, women, and downtime. We also get into the two films' very different strains of black humor
55 min
438
#019: MASH / Whiskey Tango Foxtrot (Pt. 1)
Attention. Attention: This week’s movie pairing looks at the communities that spring up in the middle of war, and the odd ways people try to push back against the insanity that surrounds them. Inspired by the new Tina Fey wartime dramedy WHISKEY TANGO F
41 min
439
#018: The Wicker Man (1973) / The Witch (Pt. 2)
Our THE WICKER MAN - THE WITCH conversation goes deeper into the two films' shared qualities, including their portrayals of religion and women, and their canny use of (very different types of) music. We'll also get deeper into the question of "is it horro
52 min
440
#017: The Wicker Man (1973) / The Witch (Pt. 1)
The buzzy new horror film THE WITCH inspired us to look at another period piece about good, evil, self-righteousness, and murder: Robin Hardy's 1973 cult classic THE WICKER MAN. (No, not the Nicolas Cage one—though it does come up.) In this half of the
51 min
441
#016: Barton Fink / Hail, Caesar! (Pt. 2)
Our cinematic matchup of Coen brothers past and present continues as we dive deeper into the connections between 1991's BARTON FINK and the new HAIL, CAESAR! In this half of the discussion, we get into the films' shared lineage as "movies about movies," a
62 min
442
#015: Barton Fink / Hail, Caesar! (Pt. 1)
This week's pairing seems like an obvious one: Two Coen Brothers films about Hollywood, set at the same fictional studio, during roughly the same time period–what do you need, a roadmap? But Joel and Ethan Coen's 1991 breakout BARTON FINK has very diffe
57 min
443
#014: John Carter / The Martian (Pt. 2)
The second half of our JOHN CARTER/THE MARTIAN comparison looks at the various ways Ridley Scott's film succeeded where Andrew Stanton's failed: its humor, its production design, its approach to adaptation, and its overall simplicity. Plus, Your Next Pict
48 min
444
#013: John Carter / The Martian (Pt. 1)
This week, we look back to one of last year's biggest blockbusters — and an Oscar frontrunner — for inspiration, and turn up an interesting, misbegotten cinematic comparison point. Ridley Scott's THE MARTIAN is critically and commercially successful i
43 min
445
#012: Who's Afraid of Virginia Woolf? / 45 Year...
Our discussion of "old marrieds" past and present reveals that Andrew Haigh's new 45 YEARS covers a lot of the same ground as Mike Nichols' WHO'S AFRAID OF VIRGINIA WOOLF — it just does it a lot more quietly. We talk over how the two films relate and di
48 min
446
#011: Who's Afraid Of Virginia Woolf? / 45 Year...
The release of Andrew Haigh's beautiful 45 YEARS got us thinking about another film about the toxic dynamic between a long-married couple: Mike Nichols' 1966 film debut WHO'S AFRAID OF VIRGINIA WOOLF? In this half, we discuss how Nichols brought Edward Al
45 min
447
#010: Star Wars: A New Hope / The Force Awakens...
Our conversation linking the very first STAR WARS film with the new sequel (or is it a reboot? a remake?) THE FORCE AWAKENS delves into the myriad ways the two films are connected, and how the cultural impact of A NEW HOPE plays out in the new film. And i
68 min
448
#009: Star Wars: A New Hope / The Force Awakens...
J.J. Abrams' record-breaking smash THE FORCE AWAKENS consciously reaches back to the very first entry in the STAR WARS universe, 1977's A NEW HOPE, for inspiration, plot points, and design — and offers us an opportunity to look back at how George Lucas
51 min
449
#008: Aguirre, The Wrath of God / The Revenant ...
Our conversation about the links between Werner Herzog's 1972 cult classic AGUIRRE, THE WRATH OF GOD and Alejandro González Iñárritu's new THE REVENANT delves into the way the two films handle the themes of imperialism and madness, and how each is info
48 min
450
#007: Aguirre, The Wrath of God / The Revenant ...
BIRDMAN director Alejandro González Iñárritu is back with THE REVENANT, a half-revenge thriller/half-survival adventure that recalls in many ways the work of cinema’s most intrepid adventurer, Werner Herzog – particularly AGUIRRE, THE WRATH OF GOD.
36 min