Today Detroit is down for the count, but as Steve Miller reveals inDetroit Rock City: The Uncensored History of Rock ‘n’ Roll in America’s Loudest City (Da Capo Press, 2013), his comprehensive oral history of the city’s rock scene,

Who is Eminem? Is he a violent misogynist, another “white” performer imitating African American musical styles, or is he something else entirely? In her provocative bookEminem: The Real Slim Shady(Praeger, 2013),

“…when people were hearing us, they were hearing the avant-garde on the one hand, and they were hearing the history of jazz that led up to it on the other hand – because Miles was that history.” -Herbie Hancock,

Videography is a powerful tool for recording and representing aspects of human society and culture, and anthropologists have long used – and debated the use of – video as a tool to study indigenous and traditional peoples.

Conventional wisdom holds that the birth of the rock star came in 1956 with the ascendance of Elvis Presley. Not so, says author Michael Walker, who argues in his page-turning What You Want is in the Limo (Spiegel and Grau,

2013 has been an annus horribilis for thrash metal legends Slayer. In February, Slayer parted ways with longtime drummer Dave Lombardo for the third and likely final time. In May, guitarist Jeff Hanneman died of alcohol-related cirrhosis,

Thinking about “Noise” in the history and practice of music means thinking in opposites. Noise is both a musical genre, and is not. It both produces a global circulation and emerges from it. It has depended on the live-ness of embodied performance whil...

Before the twentieth century, opera was a kind of cultural glue: it was both a medium of mass-communication, and a powerful shaper and reflector of the popular imagination in the way TV and film are today. In Opera and the City: The Politics of Culture...

Thomas Bey William Bailey is the author of Unofficial Release: Self-Released and Handmade Audio in Post-Industrial Society (Belsona Books, 2012). He is a psycho-acoustic sound artist and writer on saturation culture.

What is noise? In his new book Noise Matters: Towards an Ontology of Noise (Bloomsbury Academic, 2013), Greg Hainge, Reader in French at University of Queensland, Australia, explores this question. The book is written within the tradition of critical t...

MP3: The Meaning of a Format (Duke University Press, 2012) is a fascinating study of the MP3 as a historical, cultural, conceptual, and social phenomenon. In the course of an account of the MP3 that has surprising connections to telephony and the econo...

New Jersey. Home to Bruce Springsteen, Bon Jovi, Yo La Tango. . .and the Misfits, a hardcore metal horror rock band from Lodi. In This Music Leaves Stains: The Complete Story of the Misfits (Scarecrow Press, 2013), James Greene Jr.

Between 1969 and 1973, the Who hit their commercial and creative peak. The legendary English quartet produced three Billboard Top Ten albums, including two double LP “rock operas,” Tommy (1969) and Quadrophenia (1973).

After the huge success of Elvis Presley there was a moment when it looked as if rock ‘n’ roll might, indeed, be nothing more than a fad. Its successor in the world of popular music would be folk music, and its undisputed leader was the Kingston Trio.

“The public don’t understand jazz music as we musicians do. A diminished seventh don’t mean a thing to them, but they go for high notes. After all, the public is paying. If musicians depended on musicians at the box office they would starve to death.

After spending millions to steal superstar Brooklyn-based rappers the Beastie Boys away from Def Jam Records in 1988, Capitol Records had high hopes for the act’s follow up effort. And why not? License to Ill (1986) had sold over five million copies wh...

It’s Christmas Eve at the Houston City Auditorium, 1954, and Big Mama Thornton is belting out “Hound Dog,” her hit from the previous year. It’s the years just before Elvis, before rock and roll, when white and black musics were still segregated,

In the late 1960s, Nashville’s recording industry was a hit-making machine. A small clique of writers, producers, engineers and session musicians gave sonic shape to the pop-friendly “Nashville Sound” and generated hit after hit for artists like Jim Re...

By the fall of 1986, the Los Angeles heavy metal band Slayer had two solid but unspectacular records, 1984’s Haunting the Chapel and 1985’s Hell Awaits, to their name. Meanwhile, producer Rick Rubin had started a record company, Def Jam,

At the dawn of the twenty first century, the music business looked forward to its sixth decade of monopolistic dominance of the sale and manufacture of recorded music. An industry that once had dozens of labels competing for consumer dollars had become...

What’s the difference between a fiddle and a violin? What about the difference between a hornpipe and a reel, a hoedown and a breakdown? The answer to the former, of course, is that you don’t spill beer on a violin. For answers to the latter,

When I was a teenager growing up in the early 80s, I took it as an article of faith that punk rock and heavy metal were definably different genres. To be sure, punk and metal bands both played heavy, loud, and fast music,

The relationship between music and religion is a site of increasing interest to scholars within Religious Studies. Monica Miller, Assistant Professor of Religion and Africana Studies at Lehigh University, explores the social processes and human activit...

Born in Kentucky, raised in Ohio, apprenticed in Los Angeles, Dwight Yoakam is not your typical mainstream country music star. Indeed, his honky-tonk style of country has always been a throwback to an earlier era, one in which Merle Haggard,