Multibillion-dollar franchises like "SpongeBob SquarePants" used to require traditional media like TV or film as launch pad. But Chris Williams, CEO of the new kid-targeted brand Pocket.watch, is proving with YouTube sensation Ryan's World that the...

The president-CEO of Discovery Inc. offers a candid assessment of the state of traditional TV in a wide-ranging interview. He talks M&A prospects and gives a glimpse into the behind-the-scenes story of Discovery’s $14 billion acquisition of...

After 44 years on CBS, the People's Choice Awards will move over on Nov. 11 to E!, where the network's president, Adam Stotsky, has led a re-imagination of the franchise. It's one of many changes transforming E! under Stotsky's watch, including a...

With its acquisition of Time Inc. earlier this year, Meredith Corp. is home to more iconic magazine titles than ever, from People to Better Homes & Gardens. But as the company's president, Jon Werther, explains, he's as focused on translating...

Assembly Entertainment CEO Christina Wayne discusses the dealmaking challenges that producers face even at a time of incredible demand for TV content. The producer first made her mark as the AMC development executive who championed “Mad Men” and...

While the nation waits to hear whether former Vice President Joe Biden will join the 2020 presidential race, he's not quietly sitting on the sidelines. He just launched an episodic series on Instagram's new IGTV created by ATTN:, a company devoted to...

Gigi Pritzker, CEO of MWM, details the evolution of her company, formerly OddLot Entertainment, from an indie film production banner to an IP-centric approach embracing TV, digital, VR and AR, live events and theater. Pritzker explains how the seismic...

The digital studio's president gets candid about the acquisitions she's made in her first year on the job, as well as Viacom's efforts to attract young eyeballs to original content across digital platforms.

The FX Networks CEO discusses the strategic rationale behind the union of Disney and 21st Century Fox and the industry’s embrace of direct-to-consumer distribution platforms. He also muses He also muses about how the insatiable global demand for...

It was hysterical short videos like "The Landlord" that made the Funny Or Die brand an overnight household name when it began 11 years ago. But its business has since evolved tremendously, explains CEO Mike Farah, as evidenced by the 20 TV series the...

Izad is candid about navigating an ecosystem that has been reeling from one challenge to the next, from the brand safety issues that left marketers skittish to the disappearance of long-form content buyers from the marketplace.

Lowell Peterson, executive director of the Writers Guild of America East, discusses the guild’s growth during a dynamic period for the entertainment industry. Peterson details a busy agenda that includes lobbying for a diversity production tax...

Showtime’s president and CEO talks about new economics of direct-to-consumer streaming and how the transformation of the premium TV business has changed the way Showtime operates. In this wide-ranging conversation, he also offers insights into the...

The Russian director behind "Night Watch,” “Wanted” and “Abraham Lincoln: Vampire Hunter" is eagerly promoting a new filmmaking software for what he calls “Screenlife." Bekmambetov explains why he thinks this is a wave of the future. He also...

Ken Basin gives an inside look at how Hollywood dealmaking is changing in the peak-TV era, from the exorbitant salary increases top talent has been getting to the growing clout of tech companies doing most of the spending.

AMC Networks CEO Josh Sapan discusses the company’s transition from a collection of cable channels — AMC, SundanceTV, IFC, WeTV, and BBC America — to a content-focused enterprise that is experimenting with new forms of distribution and expansion...

How does a basketball legend team up with Sony to translate his brand into TV and film content? He turns to Jeron Smith, a veteran of Nike and the Obama-era White House, who explains how Curry is focusing on family, faith and sports as core themes to...

The New York Television Festival was ahead of the curve in recognizing the need for independent producers and TV fans to have a forum for celebrating the small screen.  On the eve of the festival's 14th edition, founder and CEO Terence Gray talks...

The crowded competitive set of streaming services hasn't kept Pluto TV from growing its audience quickly. CEO Tom Ryan explains how his game plan has gotten Pluto TV this far, and what lies ahead for his company.

Dawn Ostroff reflects on seven years of working to bring the magazine giant's marquee brands into the digital age.

Byron Allen’s Entertainment Studios, founded in 1993 in Allen’s living room, has grown rapidly during the past decade, expanding into cable programming and film distribution. Allen offers an inside look at his recent $300 million acquisition of...

Supermodel-turned-entrepreneur Tyra Banks discusses her path from modeling in the early 1990s to becoming one of the new breed of media mavens who are a brand unto themselves. Banks recalls the early life lessons from her mother about embracing her...

Spanish-language TV giants Univision and Telemundo aren't meeting the programming needs of young Latino audiences, says Raze CEO Emiliano Calemzuk, which opens up a huge opportunity for his company. One year into the relaunch of the venture, Calemzuk...

Producer Colin Callender is known for his excellent taste and strong relationship with stars, but he's also been an innovator in the financing and distribution of international co-productions. After more than 20 years with HBO, Callender launched...

The founder of Group Nine, a portfolio of digital brands including Thrillist, NowThis and Seeker, reflects on his company's first year with the backing of Discovery Communications. While he feels he's bringing the best of traditional and new...